A work in constant progress (and occasional regress).
Recording Supervision:
1943 Two Weeks to Live
Sound:
1933 The Iron Master
1943 Cinderella Swings It
1943 Two Weeks to Live
1946 Specter of the Rose
1947 Hollywood Barn Dance
1948 Appointment with Murder
1948 Reaching from Heaven
1949 Search for Danger
1956 Nightfall
1956 The Werewolf
1957 The Tall T
Sound Director:
1933 The Iron Master
1943 Cinderella Swings It
1943 Two Weeks to Live
1946 Specter of the Rose
1947 Hollywood Barn Dance
1948 Appointment with Murder
1948 Reaching from Heaven
1949 Search for Danger
1956 Nightfall
1956 The Werewolf
1957 The 27th Day
1957 The Tall T
Sound Engineer:
1933 The Iron Master
1940 The Devil Bat
1943 Cinderella Swings It
1943 Two Weeks to Live
1944 The Monster Maker
1946 Specter of the Rose
1947 Hollywood Barn Dance
1948 Appointment with Murder
1948 Blonde Ice
1948 Reaching from Heaven
1949 Search for Danger
1956 Nightfall
1956 The Werewolf
1957 The 27th Day
1957 The Tall T
Sound Recordist:
1933 The Iron Master
1937 Damaged Goods
1939 The Mad Empress
1940 The Devil Bat
1942 The Moon and Sixpence
1943 Cinderella Swings It
1943 Five Graves to Cairo
1943 Two Weeks to Live
1944 The Monster Maker
1945 The Man in Half Moon Street
1946 Specter of the Rose
1947 Hollywood Barn Dance
1948 Appointment with Murder
1948 Blonde Ice
1948 Reaching from Heaven
1949 Search for Danger
1956 Nightfall
1956 The Werewolf
1957 The 27th Day
1957 The Tall T
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.