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Recording Supervision:
1943  Two Weeks to Live

Sound:
1933  The Iron Master
1943  Cinderella Swings It
1943  Two Weeks to Live
1946  Specter of the Rose
1947  Hollywood Barn Dance
1948  Appointment with Murder
1948  Reaching from Heaven
1949  Search for Danger
1956  Nightfall
1956  The Werewolf
1957  The Tall T

Sound Director:
1933  The Iron Master
1943  Cinderella Swings It
1943  Two Weeks to Live
1946  Specter of the Rose
1947  Hollywood Barn Dance
1948  Appointment with Murder
1948  Reaching from Heaven
1949  Search for Danger
1956  Nightfall
1956  The Werewolf
1957  The 27th Day
1957  The Tall T

Sound Engineer:
1933  The Iron Master
1940  The Devil Bat
1943  Cinderella Swings It
1943  Two Weeks to Live
1944  The Monster Maker
1946  Specter of the Rose
1947  Hollywood Barn Dance
1948  Appointment with Murder
1948  Blonde Ice
1948  Reaching from Heaven
1949  Search for Danger
1956  Nightfall
1956  The Werewolf
1957  The 27th Day
1957  The Tall T

Sound Recordist:
1933  The Iron Master
1937  Damaged Goods
1939  The Mad Empress
1940  The Devil Bat
1942  The Moon and Sixpence
1943  Cinderella Swings It
1943  Five Graves to Cairo
1943  Two Weeks to Live
1944  The Monster Maker
1945  The Man in Half Moon Street
1946  Specter of the Rose
1947  Hollywood Barn Dance
1948  Appointment with Murder
1948  Blonde Ice
1948  Reaching from Heaven
1949  Search for Danger
1956  Nightfall
1956  The Werewolf
1957  The 27th Day
1957  The Tall T

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.