A work in constant progress (and occasional regress).
Birthplace:
Cadouin, Dordogne, France
Born:
October 14, 1890
Died:
March 22, 1924
Louis Delluc was an Impressionist French film director, screen writer and film critic. He was born in Cadouin in 1890. His family moved to Paris in 1903. After graduating from the university, he became a literary critic. During the First World War, he was married to the Belgian actress Ève Francis, who acted in many of his films. In 1917, Delluc began his career in film criticism. He went on to edit Le Journal du Ciné-club and Cinéa, establish film societies, and direct seven films. He was one of the early Impressionist filmmakers, along with Abel Gance, Germaine Dulac, Marcel L'Herbier, and Jean Epstein. His films are notable for their focus on ordinary events and the natural setting rather than on adventures and antics. Many of his early film writings for French newspapers were collected in the volume Cinema et cie (1919). He also wrote one of the first books on Charlie Chaplin (1921; translated into English in 1922). Delluc directed his seventh film, L'Inondation (The Flood), in 1924. Filming took place in very poor weather conditions and Delluc contracted pneumonia. He died in Paris several weeks later, before the film was released. The Prix Louis-Delluc, created in 1937, is named in his honour.
Director:
1920 Le silence
1921 Ernoa's Way
1921 Fièvre
1922 The Woman from Nowhere
1924 The Flood
Screenplay:
1920 Le silence
1921 Ernoa's Way
1921 Fièvre
1922 The Woman from Nowhere
1924 The Flood
Script:
1920 Le silence
1921 Ernoa's Way
1921 Fièvre
1922 The Woman from Nowhere
1924 The Flood
Story:
1920 Le silence
1921 Ernoa's Way
1921 Fièvre
1922 The Woman from Nowhere
1924 The Flood
1929 Train Without Eyes
Writer:
1920 Le silence
1920 Spanish Fiesta
1921 Ernoa's Way
1921 Fièvre
1922 The Woman from Nowhere
1924 The Flood
1929 Train Without Eyes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.