A work in constant progress (and occasional regress).
Birthplace:
Evanston, Illinois, USA
Born:
February 16, 1950
Todd McCarthy is an American film critic. He wrote for Variety for 31 years as its chief film critic until 2010. In October of that year, he joined The Hollywood Reporter where he subsequently became chief film critic. Was born on February 16, 1950 in Evanston, Illinois, the son of Daniel and Barbara McCarthy. His mother was a cellist and served as the president of the Evanston Symphony Orchestra. His father was a rancher and real-estate developer. McCarthy graduated from Stanford University in 1972. McCarthy married at age 43 to Sasha Alpert on July 4, 1993 on his family's ranch in Pagosa Springs, Colorado. Sasha is a documentary film maker. From 1974 to 1975, McCarthy worked for Paramount Pictures in Los Angeles as an assistant to Elaine May. He helped her edit Mikey and Nicky. He edited Kings of Bs: Working Within the Hollywood System with Charles Flynn which was published in 1975. It is a book that discusses the great filmmakers of B movies. From 1975 to 1977, McCarthy worked for New World Pictures in Los Angeles as the director of advertising and publicity. McCarthy was later the manager English-language editions of Le Film français in 1977. The next year, he got a job as a Hollywood editor for Film Comment. McCarthy became a film critic and wrote for Variety in 1979. In 1990, McCarthy wrote a documentary called Preston Sturges: The Rise and Fall of an American Dreamer which won an Emmy Award. He directed four documentaries about film: Visions of Light (1992), Claudia Jennings (1995), Forever Hollywood (1999), and Man of Cinema: Pierre Rissient (2007). Visions of Light was named the Best Documentary of the Year award by the National Society of Film Critics and the New York Film Critics Circle. Forever Hollywood has been played at Grauman's Egyptian Theatre for more than a decade. In 2007 he wrote Fast Women: The Legendary Ladies of Racing. He wrote about the famous producer/director Howard Hawks in his book, Howard Hawks: The Grey Fox of Hollywood which was published in 2000. McCarthy also wrote Des Ovnis, des Monstres et du Sexe: Le Cinéma Selon Roger Corman (2011). McCarthy lost his job Variety in March 2010, having been the longest-serving member of their staff. McCarthy began working with an independent blog called Indiewire after leaving Variety. He was hired at The Hollywood Reporter in October 2010. He was hired as the chief film critic under Janice Min. He wrote the introduction to Painting with Light that was published in 2013.
Cinematography:
2007 Pierre Rissient: Man of Cinema
Director:
1992 Visions of Light
1995 Claudia Jennings
1999 Forever Hollywood
2007 Pierre Rissient: Man of Cinema
Writer:
1990 Hollywood Mavericks
1990 Preston Sturges: The Rise and Fall of an American Dreamer
1992 Visions of Light
1995 Claudia Jennings
1999 Forever Hollywood
2007 Pierre Rissient: Man of Cinema
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.