A work in constant progress (and occasional regress).
Alias:
Captain Murphy
DJ Flying Lotus
FlyLo
Steve Ellison
Steven D. Bingley-Ellison
Steven Ellison
steve
Birthplace:
Los Angeles, California, USA
Born:
October 7, 1983
Steven D. Bingley-Ellison (born October 7, 1983), known by his stage name Flying Lotus, is an American record producer, DJ, rapper, filmmaker and composer. He is best known for directing the horror films Kuso (2017) and Ash (2025), as well as directing a segment in the horror film V/H/S/99 (2022). He is also the founder of the record label and production company Brainfeeder.
Director:
2016 Royal
2017 Kuso
2022 V/H/S/99
2025 Ash
Executive Producer:
2016 Royal
2017 Kuso
2019 Perfect
2022 V/H/S/99
2025 Ash
Music:
2011 The Terrys
2012 Captain Murphy's Duality
2012 The Mirror Between Us
2013 Until the Quiet Comes
2014 A Portrait of Noomi Rapace
2015 Fuckkkyouuu
2016 LoveTrue
2016 Raised by Krump
2016 Royal
2017 Kuso
2018 Family Feud
2019 Perfect
2022 V/H/S/99
2025 Ash
Original Music Composer:
2011 The Terrys
2012 An Oversimplification of Her Beauty
2012 Captain Murphy's Duality
2012 The Mirror Between Us
2013 Until the Quiet Comes
2014 A Portrait of Noomi Rapace
2014 Imperial Dreams
2015 Fuckkkyouuu
2016 LoveTrue
2016 Raised by Krump
2016 Royal
2017 Blade Runner: Black Out 2022
2017 Kuso
2018 Family Feud
2019 Perfect
2021 The Year of the Everlasting Storm
2022 V/H/S/99
2025 Ash
Producer:
2011 The Terrys
2012 An Oversimplification of Her Beauty
2012 Captain Murphy's Duality
2012 The Mirror Between Us
2013 Until the Quiet Comes
2014 A Portrait of Noomi Rapace
2014 Imperial Dreams
2015 Fuckkkyouuu
2016 Cream
2016 LoveTrue
2016 Raised by Krump
2016 Royal
2017 Blade Runner: Black Out 2022
2017 Kuso
2018 Family Feud
2019 Perfect
2021 The Year of the Everlasting Storm
2022 V/H/S/99
2025 Ash
Screenplay:
2011 The Terrys
2012 An Oversimplification of Her Beauty
2012 Captain Murphy's Duality
2012 The Mirror Between Us
2013 Until the Quiet Comes
2014 A Portrait of Noomi Rapace
2014 Imperial Dreams
2015 Fuckkkyouuu
2016 Cream
2016 LoveTrue
2016 Raised by Krump
2016 Royal
2017 Blade Runner: Black Out 2022
2017 Kuso
2018 Family Feud
2019 Perfect
2021 The Year of the Everlasting Storm
2022 V/H/S/99
2025 Ash
Thanks:
2011 The Terrys
2012 An Oversimplification of Her Beauty
2012 Captain Murphy's Duality
2012 The Mirror Between Us
2013 Until the Quiet Comes
2014 A Portrait of Noomi Rapace
2014 Imperial Dreams
2015 Fuckkkyouuu
2016 Cream
2016 LoveTrue
2016 Raised by Krump
2016 Royal
2017 Blade Runner: Black Out 2022
2017 Kuso
2018 Family Feud
2019 Perfect
2021 The Vandal
2021 The Year of the Everlasting Storm
2022 V/H/S/99
2025 Ash
Writer:
2011 The Terrys
2012 An Oversimplification of Her Beauty
2012 Captain Murphy's Duality
2012 The Mirror Between Us
2013 Until the Quiet Comes
2014 A Portrait of Noomi Rapace
2014 Imperial Dreams
2015 Fuckkkyouuu
2016 Cream
2016 LoveTrue
2016 Raised by Krump
2016 Royal
2017 Blade Runner: Black Out 2022
2017 Kuso
2018 Family Feud
2019 Perfect
2021 The Vandal
2021 The Year of the Everlasting Storm
2022 V/H/S/99
2025 Ash
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.