A work in constant progress (and occasional regress).
Birthplace:
Louisville, Kentucky, USA
Gary was born in Louisville, Kentucky and he grew up in Lakeland, Florida. He has spent the last 30 years working at the Lakeland Police Department with his last assignment as the official spokesperson for the police department. He got his big break in 2009 as a Police Technical Advisor on the set of the film "Endure", the Polk-based crime thriller written and directed by Joe O'Brien. As a consultant for the film starring Judd Nelson, Devon Sawa and Tom Arnold, he put his knowledge to work and even ended up as a featured extra in the film. Gary continued to work full time as Police Sergeant, Public Information Officer while working part-time in the film/TV industry mostly as a police technical advisor. He has worked with the Discovery Channel on several on crime syndicate series and local production companies on various commercials. Roles in more indies followed, including The Breaking Point (2014), Two days (2016) and Turnaround (2017). By now, Gary had built a reliable reputation for playing a cop and he continues to amass a diverse body of film and television work, challenging himself with each role. Gary has been a featured extra on several films highlighting his acting ability such as in "Frank vs God" featuring Henry Ian Cusick who is known for his role as Desmond Hume on the U.S. television series Lost, for which he received a Primetime Emmy Award nomination. In 2016, Gary was also featured in Sean Baker's film, The Florida Project staring alongside Willem Dafoe. Gary was a consultant in both of these films. Gary's aim is simple; to provide the film/TV industry with the best technical advice, maintain the authenticity and realism of their production while respecting the creative process of film making.
Props:
2015 S.O.S.: Women to the Sea 2
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.