A work in constant progress (and occasional regress).
Alias:
G. MacWilliams
Glen Macwilliams
Glen McWilliams
Glenn MacWilliams
Birthplace:
Saratoga, California, USA
Born:
May 21, 1898
Died:
April 15, 1984
From Wikipedia, the free encyclopedia Glen MacWilliams (May 21, 1898 – April 15, 1984), was an American cinematographer. Born in California, MacWilliams started his career in the silent days. He worked in the United Kingdom for much of the 1930s, working on several musicals with Jessie Matthews. He returned to the US in the 1940s where he worked extensively for 20th Century Fox, filming Laurel and Hardy's first two films for the studio and also worked with Alfred Hitchcock on Lifeboat in 1944. He had previously worked with Hitchcock on one occasion in Britain. He later worked in television on such shows as Highway Patrol, Wanted: Dead or Alive, The Untouchables and My Living Doll before he retired in the mid-1960s.
Additional Photography:
1929 The Valiant
Assistant Camera:
1916 American Aristocracy
1929 The Valiant
Assistant Director of Photography:
1916 American Aristocracy
1917 Wild and Woolly
1929 The Valiant
Camera Operator:
1916 American Aristocracy
1917 Wild and Woolly
1929 The Valiant
1933 Cavalcade
1934 Waltzes from Vienna
Cinematography:
1916 American Aristocracy
1917 Wild and Woolly
1923 Rupert of Hentzau
1927 Ladies Must Dress
1927 Stage Madness
1927 The Heart of Salome
1927 The Secret Studio
1929 The Valiant
1930 The Sea Wolf
1932 Rebecca of Sunnybrook Farm
1933 Cavalcade
1933 Sleeping Car
1934 Waltzes from Vienna
1940 The Proud Valley
Director of Photography:
1916 American Aristocracy
1917 Wild and Woolly
1918 Bound in Morocco
1918 Headin' South
1918 Say! Young Fellow
1922 Oliver Twist
1922 Trouble
1923 Rupert of Hentzau
1924 Captain January
1924 The Mine with the Iron Door
1925 Lazybones
1925 The Golden Strain
1925 Thunder Mountain
1926 The Lily
1927 Ladies Must Dress
1927 Stage Madness
1927 The Heart of Salome
1927 The Secret Studio
1928 Love Hungry
1929 Black Magic
1929 Hearts in Dixie
1929 The Valiant
1930 Common Clay
1930 The Sea Wolf
1931 Body and Soul
1931 Sob Sister
1931 The Front Page
1931 You Have to Marry the Prince
1932 Rebecca of Sunnybrook Farm
1932 While Paris Sleeps
1933 A Cuckoo in the Nest
1933 Cavalcade
1933 Sleeping Car
1934 Evergreen
1934 The Night of the Party
1934 Waltzes from Vienna
1935 Heat Wave
1935 The Clairvoyant
1935 The Return Of Peter Grimm
1935 Things Are Looking Up
1936 It's Love Again
1937 Gangway
1937 King Solomon's Mines
1938 Sailing Along
1940 A Window in London
1940 The Proud Valley
1941 Great Guns
1942 Blue, White, and Perfect
1942 It's Everybody's War
1942 Young America
1943 Wintertime
1944 Lifeboat
1944 Wing and a Prayer
1944 Winged Victory
1945 The Spider
1945 Within These Walls
1946 Shock
1958 Girl with an Itch
1958 Lust to Kill
Cinematography:
1964 My Living Doll
Director of Photography:
1959 Black Saddle
1959 Johnny Ringo
1959 Law of the Plainsman
1964 My Living Doll
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.