A work in constant progress (and occasional regress).
Adaptation:
1934 Fashions of 1934
Continuity:
1932 Night After Night
1934 Fashions of 1934
Screenplay:
1930 One Night at Susie's
1932 Night After Night
1933 Baby Face
1933 Lilly Turner
1933 Luxury Liner
1933 Midnight Mary
1934 A Lost Lady
1934 A Modern Hero
1934 Fashions of 1934
1934 One Hour Late
1934 The Merry Frinks
1935 The Glass Key
1937 Second Honeymoon
1938 Alexander's Ragtime Band
1938 Always Goodbye
1939 Hotel for Women
1941 The Lady from Cheyenne
1943 Happy Land
1943 The Constant Nymph
1946 Colonel Effingham's Raid
Story:
1930 One Night at Susie's
1932 Night After Night
1933 Baby Face
1933 Lilly Turner
1933 Luxury Liner
1933 Midnight Mary
1934 A Lost Lady
1934 A Modern Hero
1934 Fashions of 1934
1934 One Hour Late
1934 The Merry Frinks
1935 The Glass Key
1937 Second Honeymoon
1938 Alexander's Ragtime Band
1938 Always Goodbye
1939 Hotel for Women
1941 The Lady from Cheyenne
1943 Happy Land
1943 The Constant Nymph
1946 Colonel Effingham's Raid
Writer:
1930 One Night at Susie's
1931 The Lady Who Dared
1931 Wicked
1932 Night After Night
1933 Baby Face
1933 Female
1933 Lilly Turner
1933 Luxury Liner
1933 Midnight Mary
1934 A Lost Lady
1934 A Modern Hero
1934 Fashions of 1934
1934 One Hour Late
1934 The Merry Frinks
1935 The Glass Key
1936 It Had to Happen
1937 Second Honeymoon
1937 Wife, Doctor and Nurse
1938 Alexander's Ragtime Band
1938 Always Goodbye
1939 Hotel for Women
1940 The House Across the Bay
1941 The Lady from Cheyenne
1943 Happy Land
1943 The Constant Nymph
1946 Colonel Effingham's Raid
1949 Night Unto Night
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.