A work in constant progress (and occasional regress).
Additional Camera:
2011 Miller's Tale
Camera Operator:
2008 Where the Light Is: John Mayer Live in Los Angeles
2008 Youssou Ndour: I Bring What I Love
2011 Miller's Tale
Director:
2008 Where the Light Is: John Mayer Live in Los Angeles
2008 Youssou Ndour: I Bring What I Love
2011 Miller's Tale
2012 Robert Plant & The Band of Joy - Live from the Artists Den
2014 Rufus Wainwright - Live from the Artists Den
2016 Marina and the Diamonds Live
2019 Soundgarden: Live From The Artists Den
Director of Photography:
2001 Down from the Mountain
2003 John Mayer: Any Given Thursday
2008 Where the Light Is: John Mayer Live in Los Angeles
2008 Youssou Ndour: I Bring What I Love
2011 Miller's Tale
2012 Robert Plant & The Band of Joy - Live from the Artists Den
2013 Rebels Without a Pause: The Induction Celebration of Public Enemy
2014 Rufus Wainwright - Live from the Artists Den
2016 Marina and the Diamonds Live
2019 3 Days 2 Nights
2019 Soundgarden: Live From The Artists Den
2021 Learning to Live Together: The Return of Mad Dogs & Englishmen
Editor:
2001 Down from the Mountain
2003 John Mayer: Any Given Thursday
2008 Where the Light Is: John Mayer Live in Los Angeles
2008 Youssou Ndour: I Bring What I Love
2011 Miller's Tale
2012 Robert Plant & The Band of Joy - Live from the Artists Den
2013 Rebels Without a Pause: The Induction Celebration of Public Enemy
2014 Rufus Wainwright - Live from the Artists Den
2016 Marina and the Diamonds Live
2019 3 Days 2 Nights
2019 Soundgarden: Live From The Artists Den
2021 Learning to Live Together: The Return of Mad Dogs & Englishmen
Director:
2009 Live From the Artists Den
2018 Becoming Bobby Feeno
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.