A work in constant progress (and occasional regress).
Alias:
Big Joe Roberts
Joseph Henry Roberts
Birthplace:
Albany, New York, USA
Born:
February 2, 1871
Died:
October 28, 1923
"Big Joe" Roberts, as he was known in vaudeville, toured the country with his first wife, Lillian Stuart Roberts as part of a rowdy act known as Roberts, Hays, and Roberts. Their signature routine was called "The Cowboy, the Swell and the Lady." At this time, in the first decade of the twentieth century, Buster Keaton's father, Joe Keaton, had started a summer Actors' Colony for vaudevillians between Lake Michigan and Muskegon Lake in Michigan. Roberts became acquainted with the Keaton family as a member of this community. When Buster Keaton's film apprenticeship years with Roscoe "Fatty" Arbuckle came to an end, and Keaton began making his own shorts in 1920, he asked Roberts to join him. Roberts' hefty 6'3" frame, usually playing a menacing heavy or authority figure, made a striking and amusing contrast to the thin, 5'6" Keaton. IMDB shows that Roberts made only two films without Keaton. He played the role of "Roaring Bill" Rivers in 1922's The Primitive Lover starring Constance Talmadge—Keaton's sister-in-law—and the silent film actor Harrison Ford; and a drill master in the Clyde Cook comedy The Misfit,[4] released in March 1924, after Roberts' death. When Keaton began making feature films in 1923, he apparently intended to continue working with Roberts. Roberts had roles in Keaton's Three Ages and Our Hospitality (both 1923). During the filming of the second feature, Roberts had a stroke but insisted on returning to the set to finish the film. After completion, Roberts suffered another stroke and died shortly afterwards.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.