A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Actor, composer and screenwriter, Arthur pilfered a diploma as an assistant director in 2010, after two years of study at the École Supérieur d'Arts Cinématographique (ESEC). His first appearance on screen was in "Pieds Nus sur les Limaces" by Fabienne Berthaud. Subsequently, he made numerous appearances on television in series such as "Working Girls" by Sylvain Fusse (2011), "Alias Caracalla" by Alain Tasma, "Platan" by Eric Judor (2012), "Lettres à France" by Stéphane Clavier (2014), and Scènes de Ménage (2014-2023). In cinema, he appeared for Catherine Corsini in "Les 3 Mondes" (2011), but also in "Baby Balloon" by Stefan Liberski and Dominique Laroche (2013), as well as many others. In 2016, he had the chance to be alongside Louis Garrel and Stacy Martin in "Le Redoutable", directed by Oscar-winner Michel Hazavanicius. In 2021, he reunited with Garrel for the second time for the film "L'Envol", by Pietro Marcello. Maintaining a presence on the small screen, Arthur allowed himself a stint in English. He went to London and then Morocco for "SAS: Rogue Heroes", a BBC series directed by Tom Shankland and written by Steven Knight. In 2022-23, he played the Count of Ségur for Tim Van Patten in "Chapeau AKA The Grand Master, Franklin in Paris". He then slipped into the middle of a four-star cast including Noah Jupe, Ludivine Sagnier, Thibault de Montalembert and Michael Douglas. If the theater seems to be left behind, he still plays "Les Désaccordés", by Marine Léonardi and Alexis Troccaz at the Théâtre Clavel. This season, he joined the Pipo Company troupe and took on the role of Valérian Olympovitch in “Le Mandat” by Thomas Erdman, under the direction of Patrick Pineau.
Compositor:
2012 As It Used To Be
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.