A work in constant progress (and occasional regress).
Alias:
Standish D. Lawder
Birthplace:
Connecticut, USA
Born:
January 1, 1936
Died:
June 21, 2014
Born in Connecticut in 1936, Lawder attended Williams College and the National Autonomous University of Mexico as an undergraduate, and studied at the Ludwig Maximilian University of Munich. While at the University of Munich, he became a test subject for a neurologist researching phosphenes at around 1960. During these experiments, he was injected with measured amounts of LSD, mescaline and psilocybin, and "spent a whole day in the clinic". In this, he became an early subject of psychedelics. Afterwards, he received his Doctor of Philosophy as an art historian at Yale University. His thesis, which was later published as The Cubist Cinema, examines the correlation between the history of film and its impact on modern art, described as a holistic overview by Anthony Reveaux inFilm Quarterly. His body of work is purported to span over 25 films and his literary works encapsulates several essays on experimental film. His first endeavors with experimental films started in his basement during a sabbatical of his in the late 1960s and early 1970s.
Director:
1965 The March of the Garter Snakes
1969 Catfilm for Ursula
1969 Construction Job
1969 Runaway
1970 Corridor
1970 Dangling Participle
1970 Eleven Different Horses
1970 Necrology
1970 Roadfilm
1971 Color Film
1972 Raindance
1972 Sunday In Southbury
1973 Intolerance (abridged)
1974 Catfilm for Katy and Cynnie
1988 Electronical Politics
2006 Cinema16: American Short Films
Editor:
1965 The March of the Garter Snakes
1969 Catfilm for Ursula
1969 Construction Job
1969 Runaway
1970 Corridor
1970 Dangling Participle
1970 Eleven Different Horses
1970 Necrology
1970 Roadfilm
1971 Color Film
1972 Raindance
1972 Sunday In Southbury
1973 Intolerance (abridged)
1974 Catfilm for Katy and Cynnie
1988 Electronical Politics
2006 Cinema16: American Short Films
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.