Želimir Žilnik (b. 1942)

Birthplace:
Nis, Serbia, Yugoslavia

Born:
September 8, 1942

From Wikipedia, the free encyclopedia  Želimir Žilnik is a Serbian film director and one of the major figures of the Yugoslav Black Wave. He is noted for his socially engaging style and criticism of censorship that was commonplace during the Yugoslav communist era. Subsequently, following the abolition of communist one-party system, he was an outspoken critic of Slobodan Milošević-led regime in Serbia.  Description above from the Wikipedia article Želimir Žilnik, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

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Director:
1967  Newsreel – Showing the Life of Village Youth
1968  Little Pioneers
1968  The Unemployed
1969  June Turmoil
1971  Black Film
1971  Early Works
1973  Uprising in Jazak
1974  Request
1975  Farewell
1975  House Orders
1975  I Do Not Know What That Should Mean
1975  Inventory
1975  Public Execution
1975  Under the Protection of the State
1976  Paradise. An Imperialist Tragicomedy
1977  The Comedy and Tragedy of Bora Joksimovic
1978  Market People
1980  The Illness and Recovery of Buda Brakus
1981  Vera and Erzika
1982  Dragoljub and Bogdan
1983  Second Generation
1983  The First Trimester of Pavle Hromis
1984  Stanimir Descending
1986  Good Morning, Belgrade
1986  Pretty Women Walking Through the City
1987  Hot Paychecks
1988  Brooklyn - Gusinje
1988  The Way Steel Was Tempered
1989  Oldtimer
1990  Black and White
1993  Silo Danube, Vukovar
1994  Tito Among the Serbs for the Second Time
1995  Marble Ass
1996  Throwing Off the Yolks of Bondage
1997  For Ella
1998  Wanderlust
2000  Cosmo Girls
2000  Fortress Europe
2002  EXIT in the Morning
2003  Kenedi Goes Back Home
2005  Europe Next Door
2005  Kenedi, Lost and Found
2006  Danube Soap Opera
2007  Kenedi Is Getting Married
2009  The Old School of Capitalism
2011  One Woman – One Century
2013  Pirika on Film
2014  Our Man in Gabon
2015  Logbook_Serbistan
2018  Among the People: Life & Acting
2018  The Most Beautiful Country in the World
2020  Cinetracts '20

Writer:
1967  Newsreel – Showing the Life of Village Youth
1968  Little Pioneers
1968  The Unemployed
1969  June Turmoil
1971  Black Film
1971  Early Works
1973  Uprising in Jazak
1974  Request
1975  Farewell
1975  House Orders
1975  I Do Not Know What That Should Mean
1975  Inventory
1975  Public Execution
1975  Under the Protection of the State
1976  Paradise. An Imperialist Tragicomedy
1977  The Comedy and Tragedy of Bora Joksimovic
1978  Market People
1980  The Illness and Recovery of Buda Brakus
1981  Vera and Erzika
1982  Dragoljub and Bogdan
1983  Second Generation
1983  The First Trimester of Pavle Hromis
1984  Stanimir Descending
1986  Good Morning, Belgrade
1986  Pretty Women Walking Through the City
1987  Hot Paychecks
1988  Brooklyn - Gusinje
1988  The Way Steel Was Tempered
1989  Oldtimer
1990  Black and White
1993  Silo Danube, Vukovar
1993  Where Gods Are Dead
1994  Tito Among the Serbs for the Second Time
1995  Marble Ass
1996  Throwing Off the Yolks of Bondage
1997  For Ella
1998  Wanderlust
2000  Cosmo Girls
2000  Fortress Europe
2002  EXIT in the Morning
2003  Kenedi Goes Back Home
2005  Europe Next Door
2005  Kenedi, Lost and Found
2006  Danube Soap Opera
2007  Kenedi Is Getting Married
2009  The Old School of Capitalism
2011  One Woman – One Century
2013  Pirika on Film
2014  Our Man in Gabon
2015  Logbook_Serbistan
2018  Among the People: Life & Acting
2018  The Most Beautiful Country in the World
2020  Cinetracts '20

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.