A work in constant progress (and occasional regress).
Birthplace:
Derby, Derbyshire, England
Born:
August 2, 1925
Died:
March 23, 1990
John Dexter (2 August 1925 – 23 March 1990) was an English theatre, opera and film director. Born in Derby, Derbyshire, England, Dexter left school at the age of fourteen to serve in the British Army during the Second World War. Following the war, he began working as a stage actor before turning to producing and directing shows for repertory companies. In 1957, he was appointed Associate Director of the English Stage Company based at the Royal Court. Dexter's first great success was his production of Roots, in 1959, which brought Joan Plowright to prominence. He went on to direct Toys in the Attic (with Wendy Hiller, 1960) and Saint Joan (1963). In 1964, he was named Associate Director of the National Theatre of Great Britain, and he produced The Royal Hunt of the Sun (1964). That year, he also directed Othello, with Sir Laurence Olivier, Maggie Smith and Frank Finlay. It was considered a tremendous success. RCA recorded an audio version, and, the following year, Stuart Burge made a film of the production (now available on DVD) for BHE Films. Dexter continued with Hamlet (with music by Conrad Susa, 1969), Equus (one of his triumphs, 1973), Trevor Griffiths's The Party (Lord Olivier's final stage appearance, 1973), Phaedra Britannica (with his friend, Diana Rigg, 1975), The Merchant (aka, Shylock, 1977), As You Like It (with music by Harrison Birtwistle, 1979), Life of Galileo (with Sir Michael Gambon, 1980), The Glass Menagerie (with Jessica Tandy, 1983) and Julius Caesar (1988). His final great success was M. Butterfly (1988), on Broadway, and the following year, he staged Die Dreigroschenoper there (with Sting as Macheath), which was to be his final production. Dexter's debut feature-film was The Virgin Soldiers (with Lynn Redgrave, 1969). His second film was The Sidelong Glances of a Pigeon Kicker (aka, Pigeons, with Elaine Stritch, 1970); his third was I Want What I Want (1972). For Granada Television, Dexter directed Twelfth Night, with Sir Alec Guinness and Sir Ralph Richardson in 1969.
Director:
1969 The Virgin Soldiers
1970 The Sidelong Glances of a Pigeon Kicker
1972 I Want What I Want
1977 Rigoletto
1979 Don Pasquale
1980 Don Carlo
1981 L'Elisir d'Amore
1981 Rigoletto
1983 Don Carlo
1997 Billy Budd
Production Design:
1969 The Virgin Soldiers
1970 The Sidelong Glances of a Pigeon Kicker
1972 I Want What I Want
1977 Rigoletto
1979 Don Pasquale
1980 Don Carlo
1981 L'Elisir d'Amore
1981 Rigoletto
1983 Don Carlo
1997 Billy Budd
Supervising Art Director:
1969 The Virgin Soldiers
1970 The Sidelong Glances of a Pigeon Kicker
1972 I Want What I Want
1977 Rigoletto
1979 Don Pasquale
1980 Don Carlo
1981 L'Elisir d'Amore
1981 Rigoletto
1983 Don Carlo
1997 Billy Budd
2007 Pirates of the Caribbean: At World's End
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.