A work in constant progress (and occasional regress).
Rodrigo Lacerda nasceu em Coimbra em 1979. Estudou cinema e televisão na London Metropolitan University e National Film and Television School no Reino Unido. Em 2006, realiza o seu primeiro documentário em colaboração com Rita Alcaire, Filhos do Tédio, com estreia oficial no Festival IndieLisboa e que recebeu o Prémio do Público e a Menção Honrosa do Júri no 1º MostraLíngua. Em 2010, realizou o documentário Pelos Trilhos do Andarilho, sobre o etnólogo Ernesto Veiga de Oliveira, que recebeu o Prémio Etnografia e Menção Honrosa do Júri no 17º Cine'Eco.
Director:
2006 Filhos do Tédio
2011 From 9 to 5: Sex Work Is Work
Editor:
2006 Filhos do Tédio
2011 From 9 to 5: Sex Work Is Work
Visual Effects Coordinator:
2006 Filhos do Tédio
2010 Embargo
2011 From 9 to 5: Sex Work Is Work
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.