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Arthur Martinelli (1881-1967)

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Birthplace:
Italy

Born:
April 29, 1881

Died:
September 7, 1967

Additional information:

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Film Production

Cinematography:
1918  Sylvia on a Spree
1920  Polly with a Past
1932  White Zombie
1938  Cipher Bureau
1939  Convict's Code

Director of Photography:
1917  Alias Mrs. Jessop
1917  The End of the Tour
1917  The White Raven
1918  Kildare of Storm
1918  Pay Day
1918  Sylvia on a Spree
1918  The Winning of Beatrice
1920  Polly with a Past
1921  A Trip to Paradise
1922  Sherlock Brown
1923  East Side - West Side
1926  Ella Cinders
1926  The Greater Glory
1928  Heut tanzt Mariett
1928  Mary Lou
1932  White Zombie
1933  Supernatural
1934  Juarez and Maximilian
1936  Revolt of the Zombies
1937  Drums of Destiny
1937  No matarás
1938  Cipher Bureau
1938  Gang Bullets
1938  Mis dos amores
1939  Convict's Code
1939  The Mad Empress
1939  The Witness Vanishes
1939  Undercover Agent
1939  Verbena trágica
1940  The Devil Bat
1941  Criminals Within
1941  Double Cross
1941  Double Trouble
1941  Federal Fugitives
1941  Gangs Inc.
1941  Mr. Celebrity
1941  Secret Evidence
1941  The Deadly Game
1941  The Miracle Kid
1942  Inside the Law
1942  Professor Creeps
1942  The Power of God
1943  Cinderella Swings It
1943  Here Comes Kelly
1943  Swing Out the Blues
1943  The Deerslayer
1944  Call of the Jungle
1944  West of the Rio Grande
1945  In Old New Mexico
1948  Because of Eve
????  Fair and Warmer

Click the heading above to show or hide the list.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.