A work in constant progress (and occasional regress).
Associate Producer:
2013 Salinger
2017 Growing Up Smith
Co-Producer:
2011 Pound of Flesh
2013 Salinger
2017 Growing Up Smith
Post Production Supervisor:
2011 Pound of Flesh
2013 Salinger
2017 Growing Up Smith
Post-Production Manager:
2010 The Fighter
2011 Pound of Flesh
2013 Salinger
2017 Growing Up Smith
Producer:
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Sound Designer:
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Sound Editor:
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Sound Mixer:
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Sound Re-Recording Mixer:
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Sound Recordist:
2006 The Devil and Daniel Johnston
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Sound Supervisor:
2006 The Devil and Daniel Johnston
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Supervising Sound Editor:
2006 The Devil and Daniel Johnston
2009 Break
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
Writer:
2006 The Devil and Daniel Johnston
2009 Break
2010 BoardHeads
2010 The Fighter
2011 Pound of Flesh
2012 Dog Eat Dog
2013 Salinger
2017 Growing Up Smith
2020 Miracle in East Texas
???? I Am a Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.