A work in constant progress (and occasional regress).
Alias:
Ummah Chroma
Birthplace:
Louisville, Kentucky, USA
Born:
July 6, 1977
Bradford Marcel Young, A.S.C (born July 6, 1977) is an American cinematographer. He is best known for his work on the films Selma, A Most Violent Year (both 2014), Arrival (2016)—which earned him a nomination for an Academy Award for Best Cinematography—and Solo: A Star Wars Story (2018), as well as the Netflix miniseries When They See Us (2019). Description above from the Wikipedia article Bradford Young, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2016 Black America Again
2016 Letter to the Free
2019 Kamasi Washington - As Told To G/D Thyself
???? REkOGNIZE
Director of Photography:
2007 Mo
2007 Pariah
2009 Between Us
2009 Colonial Gods
2009 Eventual Salvation
2009 If I Leap
2009 Mississippi Damned
2010 My Mic Sounds Nice: A Truth About Women and Hip Hop
2010 The Model: Marcello in Limbo
2010 The Model: Oshun and the Dream
2011 Pariah
2012 Free Angela and All Political Prisoners
2012 Middle of Nowhere
2013 Ain't Them Bodies Saints
2013 Boys On Film 9: Youth in Trouble
2013 Mother of George
2013 Six by Sondheim
2013 The Door
2013 Vara : A Blessing
2013 Venice 70: Future Reloaded
2014 A Most Violent Year
2014 En Vogue
2014 Selma
2015 Everything Is Copy
2015 Pawn Sacrifice
2016 Arrival
2016 Black America Again
2016 I Called Him Morgan
2016 Letter to the Free
2017 To Be Free
2018 Corazón
2018 Solo: A Star Wars Story
2018 Untitled (M*A*S*H)
2018 Where Is Kyra?
2019 Kamasi Washington - As Told To G/D Thyself
2022 Kanye West: DONDA Experience Performance 2 22 22
2024 2073
2024 Adam Sandler: Love You
2025 BLKNWS: Terms & Conditions
2027 Thomas Crown Affair
???? REkOGNIZE
Executive Producer:
2007 Mo
2007 Pariah
2009 Between Us
2009 Colonial Gods
2009 Eventual Salvation
2009 If I Leap
2009 Mississippi Damned
2010 My Mic Sounds Nice: A Truth About Women and Hip Hop
2010 The Model: Marcello in Limbo
2010 The Model: Oshun and the Dream
2011 Pariah
2012 Free Angela and All Political Prisoners
2012 Middle of Nowhere
2013 Ain't Them Bodies Saints
2013 Boys On Film 9: Youth in Trouble
2013 Mother of George
2013 Six by Sondheim
2013 The Door
2013 Vara : A Blessing
2013 Venice 70: Future Reloaded
2014 A Most Violent Year
2014 En Vogue
2014 Selma
2015 Everything Is Copy
2015 Pawn Sacrifice
2016 Arrival
2016 Black America Again
2016 I Called Him Morgan
2016 Letter to the Free
2017 To Be Free
2018 Corazón
2018 Solo: A Star Wars Story
2018 Untitled (M*A*S*H)
2018 Where Is Kyra?
2019 Kamasi Washington - As Told To G/D Thyself
2022 Kanye West: DONDA Experience Performance 2 22 22
2024 2073
2024 Adam Sandler: Love You
2024 False Positive
2025 BLKNWS: Terms & Conditions
2027 Thomas Crown Affair
???? REkOGNIZE
Gaffer:
2007 Mo
2007 Pariah
2009 Between Us
2009 Colonial Gods
2009 Eventual Salvation
2009 If I Leap
2009 Mississippi Damned
2010 My Mic Sounds Nice: A Truth About Women and Hip Hop
2010 The Model: Marcello in Limbo
2010 The Model: Oshun and the Dream
2011 Pariah
2012 Free Angela and All Political Prisoners
2012 Middle of Nowhere
2013 Ain't Them Bodies Saints
2013 Boys On Film 9: Youth in Trouble
2013 Mother of George
2013 Six by Sondheim
2013 The Door
2013 Vara : A Blessing
2013 Venice 70: Future Reloaded
2014 A Most Violent Year
2014 En Vogue
2014 Selma
2015 Everything Is Copy
2015 Pawn Sacrifice
2016 Arrival
2016 Black America Again
2016 I Called Him Morgan
2016 Letter to the Free
2017 To Be Free
2018 Corazón
2018 Solo: A Star Wars Story
2018 Untitled (M*A*S*H)
2018 Where Is Kyra?
2019 Kamasi Washington - As Told To G/D Thyself
2022 Kanye West: DONDA Experience Performance 2 22 22
2024 2073
2024 Adam Sandler: Love You
2024 False Positive
2025 BLKNWS: Terms & Conditions
2027 Thomas Crown Affair
???? REkOGNIZE
Story:
2007 Mo
2007 Pariah
2009 Between Us
2009 Colonial Gods
2009 Eventual Salvation
2009 If I Leap
2009 Mississippi Damned
2010 My Mic Sounds Nice: A Truth About Women and Hip Hop
2010 The Model: Marcello in Limbo
2010 The Model: Oshun and the Dream
2011 Pariah
2012 Free Angela and All Political Prisoners
2012 Middle of Nowhere
2013 Ain't Them Bodies Saints
2013 Boys On Film 9: Youth in Trouble
2013 Mother of George
2013 Six by Sondheim
2013 The Door
2013 Vara : A Blessing
2013 Venice 70: Future Reloaded
2014 A Most Violent Year
2014 En Vogue
2014 Selma
2015 Everything Is Copy
2015 Pawn Sacrifice
2016 Arrival
2016 Black America Again
2016 I Called Him Morgan
2016 Letter to the Free
2017 To Be Free
2018 Corazón
2018 Solo: A Star Wars Story
2018 Untitled (M*A*S*H)
2018 Where Is Kyra?
2019 Kamasi Washington - As Told To G/D Thyself
2022 Kanye West: DONDA Experience Performance 2 22 22
2024 2073
2024 Adam Sandler: Love You
2024 False Positive
2025 BLKNWS: Terms & Conditions
2027 Thomas Crown Affair
???? REkOGNIZE
Co-Producer:
2019 When They See Us
Director of Photography:
2019 When They See Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.