Martha Rosler (b. 1943)
Birthplace:
Brooklyn, New York, USA
Born:
July 29, 1943
A work in constant progress (and occasional regress).
Birthplace:
Brooklyn, New York, USA
Born:
July 29, 1943
Camera Operator:
1983 A Simple Case for Torture, or How to Sleep at Night
Director:
1974 A Budding Gourmet
1974 Backyard Economy 1
1974 Backyard Economy 2 (Diane Germain Mowing)
1974 Flower Fields
1975 Semiotics of the Kitchen
1977 Losing: A Conversation with the Parents
1977 The East Is Red, The West Is Bending
1977 Vital Statistics of a Citizen, Simply Obtained
1978 Domination and the Everyday
1980 Secrets From the Street: No Disclosure
1982 Martha Rosler Reads "Vogue"
1983 A Simple Case for Torture, or How to Sleep at Night
1985 If it's too bad to be true, it could be DISINFORMATION
1988 Born to be Sold: Martha Rosler Reads the Strange Case of Baby $/M
1993 How Do We Know What Home Looks Like? The Unité d’Habitation of Le Corbusier at Firminy, France
1997 Chile on the Road to NAFTA, Accompanied by the National Police Band
2006 Prototype (God Bless America)
2011 Semiotics of the Kitchen: An Audition
2012 Because This Is Britain
2013 Museums will eat your lunch
???? Pencicle of Praise
Writer:
1974 A Budding Gourmet
1974 Backyard Economy 1
1974 Backyard Economy 2 (Diane Germain Mowing)
1974 Flower Fields
1975 Semiotics of the Kitchen
1977 Losing: A Conversation with the Parents
1977 The East Is Red, The West Is Bending
1977 Vital Statistics of a Citizen, Simply Obtained
1978 Domination and the Everyday
1980 Secrets From the Street: No Disclosure
1982 Martha Rosler Reads "Vogue"
1983 A Simple Case for Torture, or How to Sleep at Night
1985 If it's too bad to be true, it could be DISINFORMATION
1988 Born to be Sold: Martha Rosler Reads the Strange Case of Baby $/M
1993 How Do We Know What Home Looks Like? The Unité d’Habitation of Le Corbusier at Firminy, France
1997 Chile on the Road to NAFTA, Accompanied by the National Police Band
2006 Prototype (God Bless America)
2011 Semiotics of the Kitchen: An Audition
2012 Because This Is Britain
2013 Museums will eat your lunch
???? Pencicle of Praise
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.