A work in constant progress (and occasional regress).
Birthplace:
Roxie, Mississippi, USA
Born:
September 4, 1908
Died:
November 28, 1960
His powerful, eloquent work examined the injustices African-Americans face in a white society. He won immediate fame for his first novel, "Native Son" (1940). It tells the story of Bigger Thomas, a young chauffeur whose inarticulate rage over his lot ultimately erupts into violence. "Native Son" was adapted into a play directed by Orson Welles in 1941, filmed in 1951 with Wright himself playing Bigger, and again in 1986. Wright's other books include "Black Boy" (1945), an autobiography; the novels "The Outsider" (1953) and "The Long Dream" (1958); the story collections "Uncle Tom's Children" (1938) and "Eight Men" (1961); and the philosophical volumes "Black Power" (1954) and "White Man, Listen!" (1957). Richard Nathaniel Wright was born near Natchez, Mississippi. Largely self-educated, he began to write after moving to Chicago around 1927. He was a member of the Communist Party from 1932 to 1944; he later wrote of his disillusionment with that system in "The God That Failed" (1949), a collection of essays by former party members. Wright lived in Paris from 1946 until his death. A second book of memoirs, "American Hunger," was published posthumously in 1977.
Novel:
1951 Native Son
1988 The Catwalk
2019 Native Son
Short Story:
1951 Native Son
1976 Almos' a Man
1988 The Catwalk
2019 Native Son
Story:
1951 Native Son
1976 Almos' a Man
1988 The Catwalk
1996 America's Dream
2019 Native Son
Writer:
1951 Native Son
1967 Savage Sunday
1976 Almos' a Man
1986 Native Son
1988 The Catwalk
1996 America's Dream
2019 Native Son
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.