A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
April 23, 1926
Maurice Lemaître (born April 23rd 1926 in Paris) is an artist, writer and French poet. He is known to be one of the main figures of lettrisme, a movement started in the 1950s. Lemaître was educated at the School of Arts and Crafts and Public Works. After taking part in the Liberation of Paris, he began his philosophy degree at the Sorbonne. In 1948, he began his career as a journalist and wrote for the newspaper of the libertarian movement. A year later, he met Isidore Isou and immediately became interested in his political and avant-garde thoughts. In 1950, Lemaître becomes very invested in the Lettrist group and created in the same year the "Youth Front", a political journal; while simultaneously creating a literary and pictorial magazine, entitled "Ur," which remains as "The Minotaur" of lettrism. Since his literary creations, Lemaître has continued to develop various fields within the Lettrist movement: poetry, theater, dance, novel, painting, photography, film, economy, psychopathology and psychotherapy . Despite his dedication to the movement, since 2000, Lemaître distanced himself from the movement and is now relatively isolated from the main group.
Dialogue:
1973 The Iron Rose
Director:
1951 Has the Film Already Started?
1963 Un soir au cinéma, suivi de Pour faire un film
1965 Au-delà du déclic
1967 Le film de demain
1967 Moteur!
1968 Chantal D., Star
1968 Chutes
1968 Pellicule
1968 Une Oeuvre
1969 L'Écrevisse mathématique
1969 Le Soulèvement de la jeunesse Mai 68
1970 Ever the Avant-Garde of the Avant-Garde till Heaven and After
1970 Positif-Negatif, notre film
1970 Un film à faire
1970 Un programme d'avant-garde
1973 The Iron Rose
1974 Image
1975 Six films infinitésimaux et supertemporels
1977 50 bons films
1977 Montage
1977 Un navet
1978 Des scènes d'amour très réalistes avec force détails et gros plans
1978 Nada!, le dernier film
1978 The Great Train of History
1978 The Song of Rio Jim
1978 Tous derrière Suzanne, jeune, dure et pure!
1978 Un film porno
1979 Erich Von Stroheim
1979 Love Reinvented
1979 To Screen on the Sky, At Night…
1985 Films Imaginaires
1989 L'Amour, qu'est-ce?
1990 Fin de tournage
1991 L'Ayant-Droit
2002 Le petit dieu
2002 Nos stars
2003 Ganeden
???? Un film commercial et militant
???? Une copie mutilée
???? Vies de MB, V: Tunisie, Tunisie
Writer:
1951 Has the Film Already Started?
1963 Un soir au cinéma, suivi de Pour faire un film
1965 Au-delà du déclic
1967 Le film de demain
1967 Moteur!
1968 Chantal D., Star
1968 Chutes
1968 Pellicule
1968 Une Oeuvre
1969 L'Écrevisse mathématique
1969 Le Soulèvement de la jeunesse Mai 68
1970 Ever the Avant-Garde of the Avant-Garde till Heaven and After
1970 Positif-Negatif, notre film
1970 Un film à faire
1970 Un programme d'avant-garde
1973 The Iron Rose
1974 Image
1975 Six films infinitésimaux et supertemporels
1977 50 bons films
1977 Montage
1977 Un navet
1978 Des scènes d'amour très réalistes avec force détails et gros plans
1978 Nada!, le dernier film
1978 The Great Train of History
1978 The Song of Rio Jim
1978 Tous derrière Suzanne, jeune, dure et pure!
1978 Un film porno
1979 Erich Von Stroheim
1979 Love Reinvented
1979 To Screen on the Sky, At Night…
1985 Films Imaginaires
1989 L'Amour, qu'est-ce?
1990 Fin de tournage
1991 L'Ayant-Droit
2002 Le petit dieu
2002 Nos stars
2003 Ganeden
???? Un film commercial et militant
???? Une copie mutilée
???? Vies de MB, V: Tunisie, Tunisie
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.