A work in constant progress (and occasional regress).
Alias:
Robinson Frank Adu
Birthplace:
White Plains, New York, USA
Born:
April 25, 1937
Died:
December 1, 2018
Frank Edward Robinson was born on April 25, 1937 to the late Adkin and Mary Robinson in White Plains, New York. Frank was a resident of The Bronx, New York for nearly seventy-five years. He was educated in New York City public schools in the Bronx and Manhattan and later studied acting at the American Community Theater under the direction of the late Maxwell Glanville. He was united in marriage to Claretha Fleming on November 27, 1965. In this union they raised three children. Frank completed one tour of service in the United States Marine Corps beginning in 1956. Later, while raising his family and pursuing an acting career, he gained employment with the United Postal Service where he remained until his retirement in 2001. His true passion was for the arts as a vehicle for cultural and political awareness. This led him to join a group of artists with similar interests and worldview to help found the African Jazz Arts Society and Studios (AJASS), a progenitor of the Black Arts and "Black is Beautiful" movements, out of which grew the renowned Grandassa Models and the "Naturally" show. In addition to being one of two male "Naturally" models, Frank served as the Director of the AJASS Repertory Theater, staging and appearing in Caste Life Revue and Portrait of Patrice Lumumba. Forever connected to his AJASS family, Frank extended his reach as he pursued a career as a professional actor, devoting his time talent and energy to theater as a performer, teacher and mentor. Performing in venues at home and abroad (Switzerland, France and Italy), Frank worked in stage, television and on the big screen. Among his stage credits are Amiri Baraka's Slave Ship; Ray Aranha's My Sister, My Sister; Richard Wesley's The Mighty Gents; Phillip Hayes Dean's Every Night When the Sun Goes Down; Melvin van Peebles' Ain't Supposed to Die A Natural Death; August Wilson's Joe Turner's Come and Gone & Two Trains Running; Leslie Lee's Black Eagles; Public Theater Productions of The Basic Training of Pavlo Hummel and Corelainus. As a member of Gertrude Jeannette's HADLEY Players Repertory Company, Frank also appeared in This Way Forward, A Bolt from the Blue and Gladys' Dilemma. Film appearances include Across 110th Street, Fort Apache The Bronx, Love and Death, Taxi Driver, Heart, For Love of the Game and Malcolm X. Work in television includes Like It Is, Kojak, The Equalizer, Spencer for Hire, New York Undercover, Law and Order and The Cosby Show.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.