A work in constant progress (and occasional regress).
Alias:
Patorikku bokanofusukii
Patrik bokanovski
Pàtèlǐkè·bó kǎ nuò fū sī jī
Патрик бокановски
パトリック・ボカノフスキー
帕特里克·博卡诺夫斯基
Birthplace:
Algiers, Alger, France [now Algeria]
Born:
June 23, 1943
Patrick Bokanowski is a French filmmalker who makes experimental and animated films. The film The Angel (1982) is his most prominent, fascinating, and obsessive work. It is accompanied by a soundtrack made by his wife, Michèle Bokanowski, and released during 2003 on a CD album by the label trAace under the title L'Ange. Bokanowski develops work between the traditional cinematographic genres: short film, experimental film, and animation. His manner of treating filmic material is his research at the frontier of optical and visual arts, always in an "in-between" to create. He calls into question the idea that cinema's essence should be to reproduce reality, that is, our habits of thinking and feeling. His films contradict the "objectivity" of photography that is solidly essential to most of the global film productions. Bokanowski's experiments, with the aim of opening cinema to other expressive possibilities – for example the "warping" of objective lenses (though he prefers the term "subjective") – testify to purely mental visions that ignore conventional representations, affecting reality, transforming, and giving the viewer of his films new perceptual adventures. According to Raphaël Bassan, in his article «L'Ange: Un météore dans le ciel de l'animation,» Patrick Bokanowski's work can be considered the beginnings of contemporary animation.
Cinematography:
2018 Soar
Delegated Producer:
2018 Soar
2021 Hum Drum
Director:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Director of Photography:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Editor:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Producer:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Production Design:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Screenplay:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Special Effects:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Special Effects Supervisor:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Visual Effects:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Writer:
1968 Little Rootie Tooti
1972 The Woman Who Powders Herself
1974 Breakfast
1982 The Angel
1984 The Role of Chance
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2002 Éclats d'Orphée
2003 The Waking Dream
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2018 L'indomptable
2018 Soar
2020 Vers Syracuse
2021 Hum Drum
2021 Une visite au musée
2022 Réminiscence
2024 Beyond
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.