A work in constant progress (and occasional regress).
Alias:
Wendy Orlean Williams
Birthplace:
Webster, New York, USA
Born:
May 28, 1949
Died:
April 6, 1998
From Wikipedia, the free encyclopedia. Wendy Orlean Williams (May 28, 1949 – April 6, 1998), better known as Wendy O. Williams, was an American singer, songwriter and actress. Born in Webster, New York, she first came to prominence as the lead singer of the punk rock band Plasmatics. Her infamous stage theatrics included blowing up equipment, near nudity and chain-sawing guitars. After she left home at the age of 16, Williams hitchhiked her way to Colorado, earning money by crocheting string bikinis. She later traveled to Florida and Europe landing various jobs such as lifeguard, stripper and server at Dunkin' Donuts. When she returned to California in 1978, she began performing in live sex shows and later appeared in the adult film, Candy Goes to Hollywood (1979). That same year, she was approached by the manager Rod Swenson, who recruited her to join his newly formed punk rock band, Plasmatics. The band shortly became known on the New York City underground scene, performing at clubs such as CBGB. After releasing three album with Plasmatics, Williams embarked on a solo career and in 1984 released her debut album, WOW. She followed with the albums Kommander of Kaos (1986) and Deffest! and Baddest! (1988), before she retired from the music industry. Williams made her screen debut in Tom DeSimone's film Reform School Girls (1986), for which she recorded the title song. She also appeared in the 1989 comedy Pucker Up and Bark Like a Dog, and television seriesThe New Adventures of Beans Baxter and MacGyver. On April 6, 1998, Williams committed suicide near her home in Storrs, Connecticut. Dubbed "The Queen of Shock Rock," Williams was widely considered the most controversial and radical female singer of her day. She often sported a Mohawk haircut. In 1985, she was nominated for a Grammy in the Best Female Rock Vocal Performance category during the height of her popularity as a solo artist.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.