A work in constant progress (and occasional regress).
Alias:
Kelvin Kyungkun Park
Park Gyeong-geun
Park Kyung-kun
박경근
Born:
January 1, 1978
Kelvin Kyung Kun Park is an artist based in Seoul, born in 1978. He works primarily in the mediums of film and video, photography, and installation, with a focus on exploring the unconscious and its relationship with technology and subjectivity. His award-winning works have been exhibited at various international venues, including the Busan International Film Festival, Berlinale, HotDocs, New York Museum of Modern Art (MoMA), Taipei Biennale, and Sharjah Biennale. Park has received numerous awards and nominations, including the Art Spectrum Award from Leeum Samsung Museum of Art, Busan Film Festival's Best Documentary Award, and a nomination for the MMCA Korea Artist Prize and BMW Art Journey. Recently, his major solo exhibitions include "When Tigers Used to Smoke" (2022) at OCAT Museum, Shanghai, and "Double Mirror" (2020) at the Shanghai Museum of Glass in China.
Assistant Editor:
2012 Stateless Things
Director:
2005 Invitation to a Peaceful City
2010 Cheonggyecheon Medley
2012 Stateless Things
2014 A Dream of Iron
2018 Army
2019 Cheonggyecheon Medly: A Dream of Iron
2024 The Bek Show: End of Civilization
Editor:
2005 Invitation to a Peaceful City
2010 Cheonggyecheon Medley
2012 Stateless Things
2014 A Dream of Iron
2018 Army
2019 Cheonggyecheon Medly: A Dream of Iron
2024 The Bek Show: End of Civilization
Writer:
2005 Invitation to a Peaceful City
2010 Cheonggyecheon Medley
2012 Stateless Things
2014 A Dream of Iron
2018 Army
2019 Cheonggyecheon Medly: A Dream of Iron
2024 The Bek Show: End of Civilization
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.