A work in constant progress (and occasional regress).
Alias:
Ossie Morris
Birthplace:
Ruislip, England, UK
Born:
November 22, 1915
Died:
March 17, 2014
Assistant Camera:
1935 Old Roses
Camera Operator:
1935 Old Roses
1947 Captain Boycott
1948 Blanche Fury
1949 The Passionate Friends
Director of Photography:
1935 Old Roses
1947 Captain Boycott
1948 Blanche Fury
1949 The Passionate Friends
1950 Cairo Road
1950 Golden Salamander
1951 Circle of Danger
1951 Fortune in Diamonds
1952 Moulin Rouge
1952 Saturday Island
1952 So Little Time
1952 The Card
1953 Beat the Devil
1953 Indiscretion of an American Wife
1953 South of Algiers
1954 Beau Brummell
1954 Monsieur Ripois
1956 Moby Dick
1956 The Man Who Never Was
1957 A Farewell to Arms
1957 Heaven Knows, Mr. Allison
1958 The Key
1958 The Roots of Heaven
1959 Look Back in Anger
1960 Our Man in Havana
1960 The Entertainer
1961 The Guns of Navarone
1962 Lolita
1962 Satan Never Sleeps
1962 Term of Trial
1963 Come Fly with Me
1963 The Ceremony
1964 Of Human Bondage
1964 The Pumpkin Eater
1965 Life at the Top
1965 Mister Moses
1965 The Battle of the Villa Fiorita
1965 The Hill
1965 The Spy Who Came in from the Cold
1966 Stop the World: I Want to Get Off
1967 Reflections in a Golden Eye
1967 The Taming of the Shrew
1968 Great Catherine
1968 Oliver!
1968 The Winter's Tale
1969 Goodbye, Mr. Chips
1970 Fragment of Fear
1970 Scrooge
1971 Fiddler on the Roof
1972 Lady Caroline Lamb
1972 Sleuth
1973 The MacKintosh Man
1974 Dracula
1974 The Man with the Golden Gun
1974 The Odessa File
1975 The Man Who Would Be King
1976 The Seven-Per-Cent Solution
1977 Equus
1978 The Wiz
1980 Just Tell Me What You Want
1981 The Great Muppet Caper
1982 The Dark Crystal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.