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Yu Gu

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Birthplace:
Chongqing, China

Biography from TheMovieDB

Yu Gu is a filmmaker born in Chongqing, China and raised in Vancouver, Canada. She works in narrative and documentary film, using a lyrical approach to explore themes of identity, migration and artistic freedom. Yu’s hybrid documentary A Moth In Spring premiered at Hot Docs International Film Festival and was licensed and distributed by HBO. Her feature documentary films Who Is Arthur Chu? and A Woman’s Work are currently supported by the Center for Asian-American Media, Sundance Institute, ITVS, Tribeca Film Institute, Firelight Media and Film Independent. In collaboration with artist Gu Xiong and Academy Award-winner Mark J. Harris, Gu is developing Interior Migrations, a multi-platform project documenting the memories of migrant workers. Gu received her MFA in film production from the University of Southern California. She also works as an editor and recently completing The Walk, a short film for HBO, and music videos for Jewel.

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Film Production

Camera Operator:
2017  Who Is Arthur Chu?

Director:
2010  A Moth in Spring
2017  Who Is Arthur Chu?
2019  A Woman's Work: The NFL's Cheerleader Problem

Director of Photography:
2010  A Moth in Spring
2017  Who Is Arthur Chu?
2019  A Woman's Work: The NFL's Cheerleader Problem

Editor:
2010  A Moth in Spring
2017  Who Is Arthur Chu?
2019  A Woman's Work: The NFL's Cheerleader Problem

Producer:
2010  A Moth in Spring
2017  Who Is Arthur Chu?
2019  A Woman's Work: The NFL's Cheerleader Problem

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.