A work in constant progress (and occasional regress).
Assistant Sound Engineer:
1966 Five Thousand Lies
1967 The Blue Beads from Greece
1968 An Italian girl from Kypseli
1969 Wake up Vassili
1970 A Crazy, Crazy 40-Year-Old
1971 Marijuana Stop!
1972 Το Κοροϊδάκι Της Πριγκηπέσσας
Boom Operator:
1966 Five Thousand Lies
1967 The Blue Beads from Greece
1968 An Italian girl from Kypseli
1969 Wake up Vassili
1970 A Crazy, Crazy 40-Year-Old
1971 Marijuana Stop!
1972 Το Κοροϊδάκι Της Πριγκηπέσσας
1974 The Colors of Iris
Electrician:
1966 Five Thousand Lies
1967 The Blue Beads from Greece
1968 An Italian girl from Kypseli
1969 Wake up Vassili
1970 A Crazy, Crazy 40-Year-Old
1971 Marijuana Stop!
1972 Το Κοροϊδάκι Της Πριγκηπέσσας
1973 John the Violent
1974 The Colors of Iris
1975 Euridice BA 2037
Sound Designer:
1966 Five Thousand Lies
1967 The Blue Beads from Greece
1968 An Italian girl from Kypseli
1969 Wake up Vassili
1970 A Crazy, Crazy 40-Year-Old
1971 Marijuana Stop!
1972 Το Κοροϊδάκι Της Πριγκηπέσσας
1973 John the Violent
1974 The Colors of Iris
1975 Euridice BA 2037
1975 The Travelling Players
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.