A work in constant progress (and occasional regress).
Alias:
J. Lawrence Criner
In his time was considered one of the most popular Black actors of stage and screen from the 1920s to the early 1950s starring in close to 30 films. He started his career as one of the members of the famed acting group The Lafayette Players. In 1926, he first starred in independently produced silent productions "The Flying Ace" and "Black Gold." In 1927, he starred in legendary Black film-maker Oscar Micheaux's "The Millionaire" and then in 1928 co-starred on Broadway in the hit "Meek Mose." In the late 1930's to the early 1940's, Lawrence became a leading man of "race films," starring in 12 films produced by Hollywood's first Black studio, Million Dollar Productions, and his leading ladies were (then legends in the making) Lena Horne in "The Duke Is Tops," Nina Mae McKinney in "Gang Smashers," Theresa Harris in "Gangsters on the Loose," Louise Beavers in "Life Goes On," Ruby Dee in "What A Guy," and a young Dorothy Dandridge played Lawrence's daughter in "Four Shall Die." His Hollywood screen credits were "Black Moon," "Up Jumped The Devil," "King of the Zombies" (where Lawrence played a Doctor, a far cry from Hollywood's usual stereotyping of Black males), "The Gang's All Here," "Sullivan's Travels," "Freckles Come Home," and "Law of the Jungle" where he was teamed with comedy legend Mantan Moreland. "One Dark Night," "Mr. Smith Goes Ghost," "Gang War," "While Thousands Cheer," "Am I Guilty?" "Pigmeat's Laugh Hepcats," and "Miracle in Harlem" are his other film credits. His last film was "The Jackie Robinson Story" where he gave a memorable performance as the minister who encourages Jackie Robinson to accept the offer to be the first Black to play in major league baseball. Lawrence Criner is honored in African American film history for helping in the development and enhancement of films with people of color by providing positive images and non-stereotypes. Another one of his achievements was he served in both WWI and in the Navy in WWII.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.