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Patrice Vermette (b. 1970)

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Alias:
Patrice Bricault-Vermette

Birthplace:
Montreal, Quebec, Canada

Born:
January 1, 1970

Biography from TheMovieDB

Patrice Vermette (born 1970) is a Canadian production designer/art director. He is most noted for his work on the films C.R.A.Z.Y., for which he won both the Genie Award for Best Art Direction/Production Design at the 26th Genie Awards and the Jutra Award for Best Art Direction at the 8th Jutra Awards, and Dune, for which he won the Academy Award for Best Production Design at the 94th Academy Awards.  He was also a Jutra winner for Café de Flore at the 14th Jutra Awards and for 1987 at the 17th Jutra Awards, and was nominated at the 13th Jutra Awards for City of Shadows (La Cité) and at the 17th Jutra Awards for Enemy. He was a Genie and Canadian Screen Award nominee at the 30th Genie Awards for 1981, at the 32nd Genie Awards for Café de Flore and at the 2nd Canadian Screen Awards for Enemy, and an Academy Award nominee at the 82nd Academy Awards for The Young Victoria and at the 89th Academy Awards for Arrival.

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Additional information:

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Film Performances

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Film Production

Art Direction:
1997  Snowboard Academy
2001  Dead Awake
2005  C.R.A.Z.Y.
2014  1987

Production Design:
1997  Snowboard Academy
2001  Dead Awake
2001  Hidden Agenda
2005  C.R.A.Z.Y.
2009  The Young Victoria
2011  Café de Flore
2013  La banda Picasso
2013  Prisoners
2014  1987
2014  Enemy
2015  Sicario
2016  Arrival
2017  The Mountain Between Us
2018  Gringo
2018  Vice
2021  Dune
2023  Foe
2024  Dune: Part Two

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TV Performances

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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