A work in constant progress (and occasional regress).
Birthplace:
Umeda, Kita-ku, Osaka Prefecture, Japan
Born:
December 10, 1912
Died:
July 26, 1988
In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film Daydream was the first big-budget, mainstream pink film released in Japan. After the release of his 1965 film Black Snow, the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore pink films which dominated Japan's domestic cinema during the 1960s and 1970s. In the later 1960s, Takechi produced three more pink films.
Adaptation:
1968 The Mass Violation
Director:
1963 Women... Oh, Women!
1964 Crimson Dream
1964 Day-Dream
1965 Black Snow
1966 The Tale of Genji
1968 The Mass Violation
1968 Ukiyoe Cruel Story
1973 Madame Scandal
1981 Day Dream
1983 Oiran
1987 Daydream 2
Executive Producer:
1963 Women... Oh, Women!
1964 Crimson Dream
1964 Day-Dream
1965 Black Snow
1966 The Tale of Genji
1968 The Mass Violation
1968 Ukiyoe Cruel Story
1973 Madame Scandal
1981 Day Dream
1983 Oiran
1987 Daydream 2
Screenplay:
1963 Women... Oh, Women!
1964 Crimson Dream
1964 Day-Dream
1965 Black Snow
1966 The Tale of Genji
1968 The Mass Violation
1968 Ukiyoe Cruel Story
1973 Madame Scandal
1981 Day Dream
1983 Oiran
1987 Daydream 2
Writer:
1963 Women... Oh, Women!
1964 Crimson Dream
1964 Day-Dream
1965 Black Snow
1966 The Tale of Genji
1968 The Mass Violation
1968 Ukiyoe Cruel Story
1973 Madame Scandal
1981 Day Dream
1983 Oiran
1987 Daydream 2
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.