Jeffrey Hartmann

A work in constant progress (and occasional regress).

Martín Blousson

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Additional information:

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Film Performances

2020 The Pandemic Anthology

Click the heading above to show or hide the list.

Film Production

Additional Writing:
2012 Diablo

Co-Producer:
2012 Diablo

Director:
2012  Diablo
2019  Rock, Paper and Scissors
2020  The Pandemic Anthology
????  El sentido Derby

Editor:
2010  Parapolicial negro: Apuntes para una prehistoria de la triple A
2012  Diablo
2015  The Rotten Link
2016  Ecuación
2016  White Coffin
2017  Soy tu karma
2019  Rock, Paper and Scissors
2020  On the Third Day
2020  Phone Line 137
2020  The Pandemic Anthology
2021  Cadáver Exquisito
2021  The Attachment Diaries
2021  Virtual Reality
2024  Los justos
2024  Tuve el corazón
????  El sentido Derby

Writer:
2008  The Owner
2010  Parapolicial negro: Apuntes para una prehistoria de la triple A
2012  Diablo
2013  Blood Brothers
2013  Memory of the Dead
2014  Jorge & Alberto vs. The Neoliberal Demons
2015  The Rotten Link
2016  Ecuación
2016  White Coffin
2017  Soy tu karma
2019  Rock, Paper and Scissors
2020  On the Third Day
2020  Phone Line 137
2020  The Pandemic Anthology
2021  Cadáver Exquisito
2021  The Attachment Diaries
2021  Virtual Reality
2024  Los justos
2024  Tuve el corazón
????  El sentido Derby

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.