A work in constant progress (and occasional regress).
Birthplace:
Charleroi, Belgium
Born:
August 2, 1936
Jean-Claude Bernardet OMC (Charleroi, August 2, 1936) is a Brazilian film theorist, film critic, filmmaker and writer. Born in Belgium, he spent his childhood in Paris and as a 13-year-old departed to Brazil with his family, there he was naturalised Brazilian citizen in 1964.
Assistant Director:
1968 Brasilia, Contradictions of a New City
Director:
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
2000 About the 60's
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Director of Photography:
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
2000 About the 60's
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Editor:
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
2000 About the 60's
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Executive Producer:
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
1994 São Paulo, Cinemacity
2000 About the 60's
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Producer:
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
1994 São Paulo, Cinemacity
2000 About the 60's
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Production Coordinator:
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
1994 São Paulo, Cinemacity
2000 About the 60's
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Screenplay:
1967 The Case of the Naves Brothers
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
1994 São Paulo, Cinemacity
2000 About the 60's
2011 Hoje
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Sound:
1967 The Case of the Naves Brothers
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
1994 São Paulo, Cinemacity
2000 About the 60's
2011 Hoje
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Story:
1967 The Case of the Naves Brothers
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1994 São Paulo - Symphony and Cacophony
1994 São Paulo, Cinemacity
2000 About the 60's
2000 Através da Janela
2011 Hoje
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Writer:
1967 The Case of the Naves Brothers
1968 Brasilia, Contradictions of a New City
1970 Paulicéia Fantástica
1972 A Cia Cinematográfica Vera Cruz
1974 The Night of the Scarecrow
1994 São Paulo - Symphony and Cacophony
1994 São Paulo, Cinemacity
1996 A Starry Sky
2000 About the 60's
2000 Através da Janela
2011 Hoje
2015 Periscópio
2018 Uma Noite Não é Nada
2020 #eagoraoque
2023 Cama Vazia
2024 A Última Valsa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.