A work in constant progress (and occasional regress).
Alias:
Seric Aprymov
Serik Sekenovich Aprymov
Серик Апрымов
Серик Секенович Апрымов
Серік Апрымовтың
Birthplace:
Aksuat, Kazakh SSR, USSR (now Aksuat, Kazakhstan)
Born:
October 28, 1960
Serik Sekenovich Aprymov (Kazakh: Серік Секенович Апрымовтың; born 28 October, 1960; Aksuat) is a Soviet and Kazakh film director, screenwriter, producer. Graduated from Almaty technical college in 1979. Following the military service, he took up film studies in directing at the Moscow's prestigious Film School (VGIK). He was one of the young Kazakh talents who was chosen to attend the workshop of well-known Russian director Sergei Solovyov in 1989. The group went on to establish the "new wave" of Kazakh cinema. Aprymov made his first full feature film "Last Stop" at the age of 28. It received international acclaim but angered the natives of his village, who were shocked at his portrayal of their real lives. Aprymov's second film The Hypnotist was never released. The film Aksuat (1998) revealed again his keen eye for realistic detail and was successful at the 1998 Eurasia Film Festival in Almaty (Kazakhstan), after which it was screened at the 1999 International Berlin Film Festival. The film won Audience Award at Nantes Three Continents Film Festival 1999 in France. In 1999 he directs Three Brothers - this poignant tale about the gulf between childhood fantasy and stark reality. The film was screened at the 2000 International Berlin Film Festival. It was awarded at Tokyo International Film Festival 2000. The film won Holden Award for the Best Script, Jury Special Prize at the International Feature Film Competition, and was nominated for Prize of the City of Torino Best Film - International Feature Film. Returning to the familiar theme of village life, Serik Aprymov offers a beautifully rendered Kazakh interpretation of the classic coming-of-age film in The Hunter (2004). In 2003 the film participated in Cannes Film Festival 2003 in Camera d'Or Special Mention program.
Assistant Director Trainee:
1986 The Stray White and the Speckled
Director:
1986 The Stray White and the Speckled
1986 Two Were Riding a Motor Cycle
1988 The Hypnotist
1990 The Last Stop
1993 A Dream in a Dream
1997 Aksuat
2000 Three Brothers
2004 The Hunter
2013 Little Brother
2017 A Call to Father
2022 The Village
Director of Photography:
1986 The Stray White and the Speckled
1986 Two Were Riding a Motor Cycle
1988 The Hypnotist
1990 The Last Stop
1993 A Dream in a Dream
1997 Aksuat
2000 Three Brothers
2004 The Hunter
2013 Little Brother
2017 A Call to Father
2022 The Village
Editor:
1986 The Stray White and the Speckled
1986 Two Were Riding a Motor Cycle
1988 The Hypnotist
1990 The Last Stop
1993 A Dream in a Dream
1997 Aksuat
2000 Three Brothers
2004 The Hunter
2013 Little Brother
2017 A Call to Father
2022 The Village
Producer:
1986 The Stray White and the Speckled
1986 Two Were Riding a Motor Cycle
1988 The Hypnotist
1990 The Last Stop
1993 A Dream in a Dream
1997 Aksuat
2000 Three Brothers
2004 The Hunter
2013 Little Brother
2017 A Call to Father
2022 The Village
Screenplay:
1986 The Stray White and the Speckled
1986 Two Were Riding a Motor Cycle
1987 And We Will Save the Love
1988 The Hypnotist
1990 The Last Stop
1993 A Dream in a Dream
1997 Aksuat
2000 Three Brothers
2004 The Hunter
2013 Little Brother
2017 A Call to Father
2022 The Village
Writer:
1986 The Stray White and the Speckled
1986 Two Were Riding a Motor Cycle
1987 And We Will Save the Love
1988 The Hypnotist
1990 The Last Stop
1993 A Dream in a Dream
1995 Abai
1997 Aksuat
2000 Three Brothers
2004 The Hunter
2013 Little Brother
2017 A Call to Father
2022 The Village
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.