A work in constant progress (and occasional regress).
Birthplace:
Mar del Plata, Argentina
Born:
March 28, 1980
Buenos Aires, 1980. He studied screenwriting and graduated from ENERC (Escuela Nacional de Experimentación y Realización Cinematográfica) in Buenas Aires, 2002. While he was studying, he wrote several shortfilms: Cuartito Azul (1999), Playa Terminal (2000), Tres versiones de un robo (2000), Vecinos (2001), and La tesis de la lluvia (2001), After having graduated, he was also screenwriter for several T.V shows in Buenos Aires.
Cinematography:
2019 Cairo Affaire
Director:
2008 Iraqi Short Films
2008 Mono
2010 In the Future
2011 Glorious Accidents
2016 A Shanghai Bride
2019 Cairo Affaire
2022 Disorder
Producer:
2008 Iraqi Short Films
2008 Mono
2010 In the Future
2011 Glorious Accidents
2016 A Shanghai Bride
2019 Cairo Affaire
2021 Life Begins, Life Ends
2022 Disorder
Production Design:
2008 Iraqi Short Films
2008 Mono
2010 In the Future
2011 Glorious Accidents
2016 A Shanghai Bride
2019 Cairo Affaire
2021 Life Begins, Life Ends
2022 Disorder
Screenplay:
2008 Iraqi Short Films
2008 Mono
2010 In the Future
2011 Glorious Accidents
2016 A Shanghai Bride
2019 Cairo Affaire
2021 Life Begins, Life Ends
2022 Disorder
Writer:
2008 Iraqi Short Films
2008 Mono
2010 In the Future
2011 Glorious Accidents
2016 A Shanghai Bride
2019 Cairo Affaire
2021 Life Begins, Life Ends
2022 Disorder
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.