A work in constant progress (and occasional regress).
Linda L. Miller is a producer. She began her career as a dancer and actress, before getting involved in theatre and film production.
Associate Producer:
2000 Olé - Um Movie Cabra da Peste
Costumer:
2000 Olé - Um Movie Cabra da Peste
Executive Producer:
2000 Olé - Um Movie Cabra da Peste
2018 Christmas in Love
2018 Return to Christmas Creek
2018 Wedding March 4: Something Old, Something New
2022 Loren & Rose
Line Producer:
2000 Olé - Um Movie Cabra da Peste
2001 The Sleepy Time Gal
2018 Christmas in Love
2018 Return to Christmas Creek
2018 Wedding March 4: Something Old, Something New
2022 Loren & Rose
Producer:
2000 Olé - Um Movie Cabra da Peste
2001 The Sleepy Time Gal
2002 Leela
2002 The Dogwalker
2011 Alyce Kills
2013 Sweet Talk
2018 Christmas at the Palace
2018 Christmas in Love
2018 Return to Christmas Creek
2018 The Princess Switch
2018 Wedding March 4: Something Old, Something New
2022 Loren & Rose
Production Executive:
2000 Olé - Um Movie Cabra da Peste
2001 The Sleepy Time Gal
2002 Leela
2002 The Dogwalker
2009 Possession
2011 Alyce Kills
2013 Sweet Talk
2018 Christmas at the Palace
2018 Christmas in Love
2018 Return to Christmas Creek
2018 The Princess Switch
2018 Wedding March 4: Something Old, Something New
2022 Loren & Rose
Unit Production Manager:
2000 Olé - Um Movie Cabra da Peste
2001 The Sleepy Time Gal
2002 Leela
2002 Poolhall Junkies
2002 The Dogwalker
2009 Possession
2011 Alyce Kills
2013 Sweet Talk
2018 Christmas at the Palace
2018 Christmas in Love
2018 Return to Christmas Creek
2018 The Princess Switch
2018 Wedding March 4: Something Old, Something New
2022 Loren & Rose
Producer:
2004 Black Tie Nights
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.