A work in constant progress (and occasional regress).
Birthplace:
Mexico, D.F., Mexico
Born:
April 19, 1975
Eugenio Cañas was born on April 19, 1975 in Mexico City, Federal District, Mexico. He is a director of photography and producer who graduated from the 9th. Generation of the International School of Cinema and Television [EICTV], San Antonio de los Baños, Cuba.
Camera Operator:
2001 Chavos de La Calle
Cinematography:
2001 Chavos de La Calle
2002 Simon, el gran varón
2007 Mexican American
2009 King of the Streets
2011 Bolero de noche
2022 Love Without Fear
Director of Photography:
2001 Chavos de La Calle
2002 Simon, el gran varón
2005 Tibiri
2006 La mataviejitas
2007 Identity Theft
2007 Mexican American
2008 Hoodrats 2: Hoodrat Warriors
2008 Mañana te cuento 2
2009 King of the Streets
2010 Chihuahua: The Movie
2011 Bolero de noche
2016 Structural Amendment
2022 Love Without Fear
Photoscience Manager:
2001 Chavos de La Calle
2002 Simon, el gran varón
2005 Tibiri
2006 La mataviejitas
2007 Identity Theft
2007 Mexican American
2008 Hoodrats 2: Hoodrat Warriors
2008 Mañana te cuento 2
2009 King of the Streets
2010 Chihuahua: The Movie
2011 Bolero de noche
2011 Ladies Mafia
2012 The Wailer 3
2016 Structural Amendment
2022 Love Without Fear
Producer:
2001 Chavos de La Calle
2002 Simon, el gran varón
2005 Tibiri
2006 La mataviejitas
2007 Identity Theft
2007 Mexican American
2008 El Padrino II: Border Intrusion
2008 Hoodrats 2: Hoodrat Warriors
2008 Mañana te cuento 2
2009 King of the Streets
2010 Chihuahua: The Movie
2011 Bolero de noche
2011 Ladies Mafia
2012 The Wailer 3
2016 Structural Amendment
2022 Love Without Fear
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.