A work in constant progress (and occasional regress).
Birthplace:
Barcelona, Barcelona, Catalonia, Spain
María Ripoll is a Spanish film director from Barcelona, with an international background and eight feature films to her credit. The success of her film It's Now or Never has placed her as the highest-grossing female film director in Spanish history.
Assistant Director:
1987 The Hidden Truth
Director:
1987 The Hidden Truth
1993 Kill Me Later
1996 El dominio de los sentidos
1998 The Man with Rain in His Shoes
2001 Tortilla Soup
2003 Utopia
2006 Your Life in 65 Minutes
2013 Cromosoma Cinco
2014 Traces of Sandalwood
2015 It's Now or Never
2016 Don't Blame Karma on What Happens to You for Being an Asshole
2019 Live Twice, Love Once
2021 War of Likes
2022 We Won't Kill Each Other with Guns
2024 Yo no soy esa
2025 También esto pasará
Screenplay:
1987 The Hidden Truth
1993 Kill Me Later
1996 El dominio de los sentidos
1998 The Man with Rain in His Shoes
2001 Tortilla Soup
2003 Utopia
2006 Your Life in 65 Minutes
2013 Cromosoma Cinco
2014 Traces of Sandalwood
2015 It's Now or Never
2016 Don't Blame Karma on What Happens to You for Being an Asshole
2019 Live Twice, Love Once
2021 War of Likes
2022 We Won't Kill Each Other with Guns
2024 Yo no soy esa
2025 También esto pasará
Writer:
1987 The Hidden Truth
1993 Kill Me Later
1996 El dominio de los sentidos
1998 The Man with Rain in His Shoes
2001 Tortilla Soup
2003 Utopia
2006 Your Life in 65 Minutes
2013 Cromosoma Cinco
2014 Traces of Sandalwood
2015 It's Now or Never
2016 Don't Blame Karma on What Happens to You for Being an Asshole
2019 Live Twice, Love Once
2021 War of Likes
2022 We Won't Kill Each Other with Guns
2024 Yo no soy esa
2025 También esto pasará
Director:
2022 A Private Affair
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.