A work in constant progress (and occasional regress).
Alias:
Françoise Denise Aline Blanchard (birth name)
Patricia Derec
Patricia Derek
Birthplace:
Saint-Mandé, Val-de-Marne, France
Born:
June 6, 1954
Died:
May 24, 2013
Françoise Denise Aline Blanchard was a French actress and dubbing artist. Before choosing acting as a career choice, Blanchard worked as a hand model. Throughout the 1970s, she would work in films with such directors as Michel Gérard, Jacques Peroni, Bruno Mattei and Richard Balducci, before being cast in what became her most notable role, in Jean Rollin's 1982 horror film "La morte vivante" ("The Living Dead Girl") as Catherine Valmont, a young woman who is resurrected following a spillage of toxic waste and must devour human blood in order to survive. She received praise for her performance in the film, particularly the end scene, which was so powerful and convincing that it was believed that she had descended into a state of madness. Blanchard went on to appear in three more of Rollin’s works: "Les trottoirs de Bangkok" (1984), the short film "À la poursuite de Barbara" (1991) and her final film role "La nuit des horloges" (2007). She continued in roles during the 1980s, appearing in films, including Jesús Franco's "Revenge in the House of Usher". She had also served as French voice dubbing in film, including that of Olive Oyl in Robert Altman's Popeye (1980), Jane Bux in The NeverEnding Story III (1994) and Margot Wallace in "Hackers" (1995), as well as dubbing of several TV series, including "Teenage Mutant Ninja Turtles" and "Totally Spies!". She died in 2013, twelve days before her 59th birthday.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.