A work in constant progress (and occasional regress).
Birthplace:
Bogense, Danmark
Born:
October 18, 1963
Birgitte Stærmose is a danish film director educated in the US, where she resided for 14 years. Stærmose made her feature film debut with "Værelse 304" (2011) for which she received the award for Best Director at the Aubagne Film Festival in 2013. The documentary "Wishes" (2009), with staged monologues written by Peter Asmussen and performed by street children from Prishtina, Kosovo, won several international awards - including a Special Mention at the Berlinale and a Robert for Best Short Documentary in 2010. Stærmose has also directed several episodes of the TV series "Norskov" (2015) as well as the feature film "Darling" (2017). She has also directed international series for HBO and Netflix such as "Industry" (2022) and "The English Game" (2020) for HBO, Starz and Netflix. Her most recent feature film, Camino, received its premiere as the closing film of the Göteborg International Film Festival in 2023.
Director:
2001 Se mig nu
2003 Små skred
2006 Istedgade
2006 Letters from Denmark
2009 Out of Love
2011 Room 304
2017 Darling
2023 Camino
2024 Afterwar
Executive Producer:
2001 Se mig nu
2003 Små skred
2006 Istedgade
2006 Letters from Denmark
2009 Out of Love
2011 Room 304
2017 Darling
2023 Camino
2024 Afterwar
Story:
2001 Se mig nu
2003 Små skred
2006 Istedgade
2006 Letters from Denmark
2009 Out of Love
2011 Room 304
2017 Darling
2023 Camino
2024 Afterwar
Writer:
2001 Se mig nu
2003 Små skred
2006 Istedgade
2006 Letters from Denmark
2009 Out of Love
2011 Room 304
2015 The Idealist
2017 Darling
2023 Camino
2024 Afterwar
Director:
2015 Norskov
2019 The Spanish Princess
2020 Industry
2020 The English Game
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.