A work in constant progress (and occasional regress).
Birthplace:
Lima, Peru
Carlos Ferrand was born in Lima, Peru. For the past 35 years he has worked in filmmaking as a screenwriter, director of photography and director. He has directed more than forty films and videos, including Cimarrones, Cuervo, Il parle avec les loups, Visionnaries and Casa Loma. As a director of photography, he has collaborated on productions such as Céline Baril’s Du pic au cœur, Jean-Philippe Duval’s Lumière des oiseaux and Catherine Martin’s L’esprit des lieux and Dans les villes. He works in both fiction and documentary. He lives in Montréal with his family.
Additional Camera:
2014 Juanicas
2016 In Pursuit of Peace
Camera Operator:
1973 Vía satélite… En vivo y en directo
2014 Juanicas
2016 In Pursuit of Peace
Cinematography:
1973 Vía satélite… En vivo y en directo
1986 Doctor, Lawyer, Indian Chief
1991 A State of Blackness: Aimé Césaire’s Way
2009 A Monk's Secret
2013 Brave New River
2014 Juanicas
2016 In Pursuit of Peace
Director:
1971 Sin Título
1973 Vía satélite… En vivo y en directo
1983 Cimarrones
1986 Doctor, Lawyer, Indian Chief
1991 A State of Blackness: Aimé Césaire’s Way
2001 Il parle avec les loups
2007 Americano
2009 A Monk's Secret
2012 Planet Yoga
2013 Brave New River
2014 Juanicas
2016 In Pursuit of Peace
2017 13 A Ludodrama about Walter Benjamin
2020 Jongué, A Nomad’s Journey
2021 Mecánicos piratas de Lima
Director of Photography:
1971 Sin Título
1973 Vía satélite… En vivo y en directo
1983 Cimarrones
1986 Doctor, Lawyer, Indian Chief
1991 A State of Blackness: Aimé Césaire’s Way
2001 Games of the Heart
2001 Il parle avec les loups
2002 Ocean
2006 L'esprit des lieux
2007 Americano
2009 A Monk's Secret
2012 Planet Yoga
2013 Brave New River
2014 Juanicas
2016 In Pursuit of Peace
2017 13 A Ludodrama about Walter Benjamin
2020 Jongué, A Nomad’s Journey
2021 Mecánicos piratas de Lima
Screenplay:
1971 Sin Título
1973 Vía satélite… En vivo y en directo
1983 Cimarrones
1986 Doctor, Lawyer, Indian Chief
1991 A State of Blackness: Aimé Césaire’s Way
2001 Games of the Heart
2001 Il parle avec les loups
2002 Ocean
2006 L'esprit des lieux
2007 Americano
2009 A Monk's Secret
2012 Planet Yoga
2013 Brave New River
2014 Juanicas
2016 In Pursuit of Peace
2017 13 A Ludodrama about Walter Benjamin
2020 Jongué, A Nomad’s Journey
2021 Mecánicos piratas de Lima
Writer:
1971 Sin Título
1973 Vía satélite… En vivo y en directo
1983 Cimarrones
1986 Doctor, Lawyer, Indian Chief
1991 A State of Blackness: Aimé Césaire’s Way
2001 Games of the Heart
2001 Il parle avec les loups
2002 Ocean
2006 L'esprit des lieux
2007 Americano
2009 A Monk's Secret
2012 Planet Yoga
2013 Brave New River
2014 Juanicas
2016 In Pursuit of Peace
2017 13 A Ludodrama about Walter Benjamin
2020 Jongué, A Nomad’s Journey
2021 Mecánicos piratas de Lima
Director:
2003 Mission arctique
Writer:
2003 Mission arctique
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.