A work in constant progress (and occasional regress).
Dialogue:
1934 Doña Francisquita
Director:
1930 The Mystery of Puerta del Sol
1931 Cinópolis
1931 White as snow
1933 Boliche
1933 Pax
1934 Doña Francisquita
1939 Calumnia
1939 María de la O
1940 Mi madrecita
1941 El milagro de Cristo
1942 The Epic of the Journey
1945 Sierra Morena
1948 No te dejaré nunca
Editor:
1930 The Mystery of Puerta del Sol
1931 Cinópolis
1931 White as snow
1933 Boliche
1933 Pax
1934 Doña Francisquita
1939 Calumnia
1939 María de la O
1940 Mi madrecita
1941 El milagro de Cristo
1942 The Epic of the Journey
1945 Sierra Morena
1948 No te dejaré nunca
Screenplay:
1930 The Mystery of Puerta del Sol
1931 Cinópolis
1931 White as snow
1933 Boliche
1933 Pax
1934 Doña Francisquita
1939 Calumnia
1939 María de la O
1940 Mi madrecita
1941 El milagro de Cristo
1942 The Epic of the Journey
1945 Sierra Morena
1948 No te dejaré nunca
Screenstory:
1930 The Mystery of Puerta del Sol
1931 Cinópolis
1931 White as snow
1933 Boliche
1933 Pax
1934 Doña Francisquita
1939 Calumnia
1939 María de la O
1940 Mi madrecita
1941 El milagro de Cristo
1942 The Epic of the Journey
1945 Sierra Morena
1948 No te dejaré nunca
Writer:
1930 The Mystery of Puerta del Sol
1931 Cinópolis
1931 White as snow
1933 Boliche
1933 Pax
1934 Doña Francisquita
1939 Calumnia
1939 María de la O
1939 The Sign of Death
1940 Mi madrecita
1941 El milagro de Cristo
1942 The Epic of the Journey
1945 Sierra Morena
1948 No te dejaré nunca
1964 La boda era a las doce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.