A work in constant progress (and occasional regress).
Clare Beavan is an award-winning director. She received an International Emmy Award for her documentary on Bernini and a Grierson Award for her adaptation of the memoir The Prince, the Showgirl and Me. She has Bafta and Grierson nominations for Simon Schama’s Power of Art and History of Britain and Simon Schama’s Power of Art. Her drama Daphne was named in The Observer’s top dramas of the year. Recent documentaries include Bricks! (Grierson Nomination), Germaine Bloody Greer (RTS Nomination), Cindy Sherman #Untitled and the feature documentary This is Joan Collins.
Director:
1994 Martina: Farewell to a Champion
1997 Lee Strasberg: The Method Man
2007 Daphne
2010 America: The Story of Us
2012 Britain's Greatest Codebreaker
2013 Hustlaball Berlin - A Documentary That Bares All
2013 Who's Afraid of Machiavelli?
2015 The Secret World of Lewis Carroll
2016 Bricks!
2017 Gluck - Who Did She Think He Was?
2018 Germaine Bloody Greer
2019 Cindy Sherman #untitled
2022 This Is Joan Collins
Producer:
1991 Out
1993 The Gay Rock & Roll Years
1994 Martina: Farewell to a Champion
1997 Lee Strasberg: The Method Man
2007 Daphne
2010 America: The Story of Us
2012 Britain's Greatest Codebreaker
2013 Hustlaball Berlin - A Documentary That Bares All
2013 Who's Afraid of Machiavelli?
2015 The Secret World of Lewis Carroll
2016 Bricks!
2017 Gluck - Who Did She Think He Was?
2018 Germaine Bloody Greer
2019 Cindy Sherman #untitled
2022 This Is Joan Collins
Director:
2009 Simon Schama's John Donne
Producer:
2009 Simon Schama's John Donne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.