A work in constant progress (and occasional regress).
Alias:
레니 리펜슈탈
Birthplace:
Berlin, Germany
Born:
August 22, 1902
Died:
September 8, 2003
Helene Bertha Amalie "Leni" Riefenstahl (22 August 1902 – 8 September 2003) was a German film director, actress and dancer widely noted for her aesthetics and innovations as a filmmaker. Her most famous film was Triumph des Willens (Triumph of the Will), made at the 1934 Nuremberg congress of the Nazi Party. Riefenstahl's prominence in the Third Reich along with her personal friendship with Adolf Hitler thwarted her film career following Germany's defeat in World War II, after which she was arrested but released without any charges. Triumph of the Will gave Riefenstahl instant and lasting international fame, as well as infamy. Although she directed only eight films, just two of which received significant coverage outside of Germany, Riefenstahl was widely known all her life. The propaganda value of her films made during the 1930s repels most modern commentators but many film histories cite the aesthetics as outstanding. The Economist wrote that Triumph of the Will "sealed her reputation as the greatest female filmmaker of the 20th century". In the 1970s Riefenstahl published her still photography of the Nuba tribes in Sudan in several books such as The Last of the Nuba. She was active up until her death and also published marine life stills and released the marine-based film Impressionen unter Wasser in 2002. After her death, the Associated Press described Riefenstahl as an "acclaimed pioneer of film and photographic techniques". Der Tagesspiegel newspaper in Berlin noted, "Leni Riefenstahl conquered new ground in the cinema". The BBC said her documentaries "were hailed as groundbreaking film-making, pioneering techniques involving cranes, tracking rails, and many cameras working at the same time". Description above from the Wikipedia article Leni Riefenstahl, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1932 The Blue Light
1933 The Victory of Faith
1935 Day of Freedom
1935 Triumph of the Will
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
1954 Lowlands
2002 Underwater Impressions
Editor:
1932 The Blue Light
1933 The Victory of Faith
1935 Day of Freedom
1935 Triumph of the Will
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
1954 Lowlands
2002 Underwater Impressions
Idea:
1932 The Blue Light
1933 The Victory of Faith
1935 Day of Freedom
1935 Triumph of the Will
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
1941 Hoch der Lambeth Valk
1954 Lowlands
2002 Underwater Impressions
Producer:
1932 The Blue Light
1933 The Victory of Faith
1935 Day of Freedom
1935 Triumph of the Will
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
1941 Hoch der Lambeth Valk
1954 Lowlands
2002 Underwater Impressions
Screenplay:
1932 The Blue Light
1933 The Victory of Faith
1935 Day of Freedom
1935 Triumph of the Will
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
1941 Hoch der Lambeth Valk
1954 Lowlands
2002 Underwater Impressions
Story:
1932 The Blue Light
1933 The Victory of Faith
1935 Day of Freedom
1935 Triumph of the Will
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
1941 Hoch der Lambeth Valk
1954 Lowlands
2002 Underwater Impressions
Writer:
1932 The Blue Light
1933 The Victory of Faith
1935 Day of Freedom
1935 Triumph of the Will
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
1941 Hoch der Lambeth Valk
1954 Lowlands
2002 Underwater Impressions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.