A work in constant progress (and occasional regress).
Alias:
Sara Y. Mason
Sarah Yeiser Mason
Birthplace:
Pima, Arizona, USA
Born:
March 31, 1896
Died:
November 28, 1980
From Wikipedia, the free encyclopedia Sarah Y. Mason (March 31, 1896 – November 28, 1980) was an American screenwriter and script supervisor. Mason was born Sarah Yeiser Mason in Pima, Arizona. She and her husband Victor Heerman won the Academy Award for best screenplay adaptation for their adaptation for the 1933 film Little Women, based on the novel by Louisa May Alcott. Mason was one of the first people in Hollywood to specialize in script supervision and film continuity when the industry switched from silent film to talkies. She and Heerman married in 1921. She died in Los Angeles and was cremated. Victor and Sarah had two children, Catharine Anliss Heerman, an artist and teacher of art in Southern California who was previously married to record producer Lester Koenig; and Victor, Jr., a successful breeder of Thoroughbred racehorses. The Academy Award for Little Women remains with the family.
Adaptation:
1930 Love in the Rough
1931 The Man in Possession
Additional Dialogue:
1930 Love in the Rough
1931 The Man in Possession
Additional Writing:
1930 Love in the Rough
1931 The Man in Possession
1944 Meet Me in St. Louis
Continuity:
1929 The Broadway Melody
1930 Love in the Rough
1931 The Man in Possession
1944 Meet Me in St. Louis
Other:
1929 The Broadway Melody
1930 Love in the Rough
1931 The Man in Possession
1944 Meet Me in St. Louis
1954 Magnificent Obsession
Scenario Writer:
1929 The Broadway Melody
1930 Love in the Rough
1930 They Learned About Women
1931 The Man in Possession
1944 Meet Me in St. Louis
1954 Magnificent Obsession
Screenplay:
1921 A Divorce of Convenience
1921 The Girl from Nowhere
1929 The Broadway Melody
1930 Love in the Rough
1930 They Learned About Women
1931 The Man in Possession
1932 The Age of Consent
1933 Chance at Heaven
1933 Little Women
1934 The Age of Innocence
1934 The Little Minister
1935 Break of Hearts
1935 Magnificent Obsession
1937 Stella Dallas
1939 Golden Boy
1944 Meet Me in St. Louis
1949 Little Women
1954 Magnificent Obsession
Story:
1920 Heart of Twenty
1921 A Divorce of Convenience
1921 The Girl from Nowhere
1927 Backstage
1929 The Broadway Melody
1930 Love in the Rough
1930 They Learned About Women
1931 The Man in Possession
1932 Shopworn
1932 The Age of Consent
1933 Chance at Heaven
1933 Little Women
1934 The Age of Innocence
1934 The Little Minister
1935 Break of Hearts
1935 Magnificent Obsession
1937 Stella Dallas
1939 Golden Boy
1944 Meet Me in St. Louis
1949 Little Women
1954 Magnificent Obsession
Writer:
1918 Arizona
1920 Heart of Twenty
1921 A Divorce of Convenience
1921 The Girl from Nowhere
1926 Fools of Fashion
1927 Backstage
1927 Cradle Snatchers
1929 The Broadway Melody
1930 Love in the Rough
1930 The Girl Said No
1930 They Learned About Women
1931 The Man in Possession
1932 Shopworn
1932 The Age of Consent
1933 Chance at Heaven
1933 Little Women
1934 The Age of Innocence
1934 The Little Minister
1935 Break of Hearts
1935 Magnificent Obsession
1937 Stella Dallas
1939 Golden Boy
1944 Meet Me in St. Louis
1949 Little Women
1954 Magnificent Obsession
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.