Thomas Heise (1955-2024)

Birthplace:
Berlin, Germany

Born:
August 22, 1955

Died:
May 29, 2024

Thomas Heise was born in Berlin, capital of the German Democratic Republic, in 1955. After school he trained as a printer. After his military service in the East German armed forces he began to work as an assistant director at the DEFA - Studio for Feature Films in Potsdam Babelsberg in 1975. Between 1978 and 1983 Heise studied at the Academy of Film & Television in Potsdam-Babelsberg (HFF/B). His first film, the documentary Wozu denn über diese Leute einen Film/Why a Film About These People - produced entirely with materials bought on the black market - was banned from public screening. Since 1983 he has worked as a free-lance writer and director in the areas of theatre, audio drama and documentary. Until the end of the GDR all his documentary efforts were however either blocked by what was – in official jargon – called 'operative means' or destroyed or confiscated.  Since the beginning of the 1990s Heise's documentaries have attracted national and international attention. Since 2007 he's been teaching as a Professor for Film and Media Art at Hochschule für Gestaltung Karlsruhe. Thomas Heise's earlier films dealt with social phenomena in the GDR and the country's bureaucratic apparatus. From the late 80s his focus has moved to the changes individuals, families and regional communities have had to undergo in the aftermath of the German reunification. The works of the filmmaker encompass a wide range of contemporary socially relevant topics such as privatisation, the re-organisation of the formerly industrial sphere, unemployment and rightwing radicalism to name but a few.

Additional information:

The Search Form


Cinematography:
2002  Vaterland
2004  Der Ausländer
2006  Im Glück (Neger)
2009  Material

Consulting Producer:
2002  Vaterland
2004  Der Ausländer
2006  Im Glück (Neger)
2009  Material
2016  Notorious Deeds

Director:
1979  Imbiß
1980  So Why Make a Film About These People?
1984  The House, 1984
1985  The People's Police Force, 1985
1990  Snack Bar Special
1991  Iron Age
1992  Stau – Jetzt geht’s los
1998  Barluschke
2000  Meine Kneipe
2000  Neustadt (Stau – Der Stand der Dinge)
2002  Vaterland
2004  Der Ausländer
2005  Mein Bruder - We'll Meet Again
2006  Im Glück (Neger)
2008  Kinder. Wie die Zeit vergeht.
2009  24 Hours Berlin
2009  Material
2010  20 × Brandenburg
2011  Solar System
2012  Consequence
2012  Die Lage
2014  Städtebewohner
2016  Notorious Deeds
2019  Heimat Is a Space in Time
2022  Bushido gegen die Clans - Für die Familie

Producer:
1979  Imbiß
1980  So Why Make a Film About These People?
1984  The House, 1984
1985  The People's Police Force, 1985
1990  Snack Bar Special
1991  Iron Age
1992  Stau – Jetzt geht’s los
1998  Barluschke
2000  Meine Kneipe
2000  Neustadt (Stau – Der Stand der Dinge)
2002  Vaterland
2004  Der Ausländer
2005  Mein Bruder - We'll Meet Again
2006  Im Glück (Neger)
2008  Kinder. Wie die Zeit vergeht.
2009  24 Hours Berlin
2009  Material
2010  20 × Brandenburg
2011  Solar System
2012  Consequence
2012  Die Lage
2014  Städtebewohner
2016  Notorious Deeds
2019  Heimat Is a Space in Time
2022  Bushido gegen die Clans - Für die Familie

Screenplay:
1979  Imbiß
1980  So Why Make a Film About These People?
1984  The House, 1984
1985  The People's Police Force, 1985
1990  Snack Bar Special
1991  Iron Age
1992  Stau – Jetzt geht’s los
1998  Barluschke
2000  Meine Kneipe
2000  Neustadt (Stau – Der Stand der Dinge)
2002  Vaterland
2004  Der Ausländer
2005  Mein Bruder - We'll Meet Again
2006  Im Glück (Neger)
2008  Kinder. Wie die Zeit vergeht.
2009  24 Hours Berlin
2009  Material
2010  20 × Brandenburg
2011  Solar System
2012  Consequence
2012  Die Lage
2014  Städtebewohner
2016  Notorious Deeds
2019  Heimat Is a Space in Time
2022  Bushido gegen die Clans - Für die Familie

Sound:
1979  Imbiß
1980  So Why Make a Film About These People?
1984  The House, 1984
1985  The People's Police Force, 1985
1990  Snack Bar Special
1991  Iron Age
1992  Stau – Jetzt geht’s los
1998  Barluschke
2000  Meine Kneipe
2000  Neustadt (Stau – Der Stand der Dinge)
2002  Vaterland
2004  Der Ausländer
2005  Mein Bruder - We'll Meet Again
2006  Im Glück (Neger)
2008  Kinder. Wie die Zeit vergeht.
2009  24 Hours Berlin
2009  Material
2010  20 × Brandenburg
2011  Solar System
2012  Consequence
2012  Die Lage
2014  Städtebewohner
2016  Notorious Deeds
2019  Heimat Is a Space in Time
2022  Bushido gegen die Clans - Für die Familie

Thanks:
1979  Imbiß
1980  So Why Make a Film About These People?
1984  The House, 1984
1985  The People's Police Force, 1985
1990  Snack Bar Special
1991  Iron Age
1992  Stau – Jetzt geht’s los
1998  Barluschke
2000  Meine Kneipe
2000  Neustadt (Stau – Der Stand der Dinge)
2002  Vaterland
2004  Der Ausländer
2005  Mein Bruder - We'll Meet Again
2006  Im Glück (Neger)
2008  Kinder. Wie die Zeit vergeht.
2009  24 Hours Berlin
2009  Material
2010  20 × Brandenburg
2011  Kids
2011  Solar System
2012  Consequence
2012  Detection
2012  Die Lage
2014  Städtebewohner
2016  Notorious Deeds
2019  Heimat Is a Space in Time
2022  Bushido gegen die Clans - Für die Familie

Writer:
1979  Imbiß
1980  So Why Make a Film About These People?
1984  The House, 1984
1985  The People's Police Force, 1985
1990  Snack Bar Special
1991  Iron Age
1992  Stau – Jetzt geht’s los
1998  Barluschke
2000  Meine Kneipe
2000  Neustadt (Stau – Der Stand der Dinge)
2002  Vaterland
2004  Der Ausländer
2005  Mein Bruder - We'll Meet Again
2006  Im Glück (Neger)
2008  Kinder. Wie die Zeit vergeht.
2009  24 Hours Berlin
2009  Material
2010  20 × Brandenburg
2011  Kids
2011  Solar System
2012  Consequence
2012  Detection
2012  Die Lage
2014  Städtebewohner
2016  Notorious Deeds
2019  Heimat Is a Space in Time
2022  Bushido gegen die Clans - Für die Familie

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.