A work in constant progress (and occasional regress).
Birthplace:
Berlin, Germany
Born:
August 22, 1955
Died:
May 29, 2024
Thomas Heise was born in Berlin, capital of the German Democratic Republic, in 1955. After school he trained as a printer. After his military service in the East German armed forces he began to work as an assistant director at the DEFA - Studio for Feature Films in Potsdam Babelsberg in 1975. Between 1978 and 1983 Heise studied at the Academy of Film & Television in Potsdam-Babelsberg (HFF/B). His first film, the documentary Wozu denn über diese Leute einen Film/Why a Film About These People - produced entirely with materials bought on the black market - was banned from public screening. Since 1983 he has worked as a free-lance writer and director in the areas of theatre, audio drama and documentary. Until the end of the GDR all his documentary efforts were however either blocked by what was – in official jargon – called 'operative means' or destroyed or confiscated. Since the beginning of the 1990s Heise's documentaries have attracted national and international attention. Since 2007 he's been teaching as a Professor for Film and Media Art at Hochschule für Gestaltung Karlsruhe. Thomas Heise's earlier films dealt with social phenomena in the GDR and the country's bureaucratic apparatus. From the late 80s his focus has moved to the changes individuals, families and regional communities have had to undergo in the aftermath of the German reunification. The works of the filmmaker encompass a wide range of contemporary socially relevant topics such as privatisation, the re-organisation of the formerly industrial sphere, unemployment and rightwing radicalism to name but a few.
Cinematography:
2002 Vaterland
2004 Der Ausländer
2006 Im Glück (Neger)
2009 Material
Consulting Producer:
2002 Vaterland
2004 Der Ausländer
2006 Im Glück (Neger)
2009 Material
2016 Notorious Deeds
Director:
1979 Imbiß
1980 So Why Make a Film About These People?
1984 The House, 1984
1985 The People's Police Force, 1985
1990 Snack Bar Special
1991 Iron Age
1992 Stau – Jetzt geht’s los
1998 Barluschke
2000 Meine Kneipe
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Vaterland
2004 Der Ausländer
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2008 Kinder. Wie die Zeit vergeht.
2009 24 Hours Berlin
2009 Material
2010 20 × Brandenburg
2011 Solar System
2012 Consequence
2012 Die Lage
2014 Städtebewohner
2016 Notorious Deeds
2019 Heimat Is a Space in Time
2022 Bushido gegen die Clans - Für die Familie
Producer:
1979 Imbiß
1980 So Why Make a Film About These People?
1984 The House, 1984
1985 The People's Police Force, 1985
1990 Snack Bar Special
1991 Iron Age
1992 Stau – Jetzt geht’s los
1998 Barluschke
2000 Meine Kneipe
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Vaterland
2004 Der Ausländer
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2008 Kinder. Wie die Zeit vergeht.
2009 24 Hours Berlin
2009 Material
2010 20 × Brandenburg
2011 Solar System
2012 Consequence
2012 Die Lage
2014 Städtebewohner
2016 Notorious Deeds
2019 Heimat Is a Space in Time
2022 Bushido gegen die Clans - Für die Familie
Screenplay:
1979 Imbiß
1980 So Why Make a Film About These People?
1984 The House, 1984
1985 The People's Police Force, 1985
1990 Snack Bar Special
1991 Iron Age
1992 Stau – Jetzt geht’s los
1998 Barluschke
2000 Meine Kneipe
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Vaterland
2004 Der Ausländer
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2008 Kinder. Wie die Zeit vergeht.
2009 24 Hours Berlin
2009 Material
2010 20 × Brandenburg
2011 Solar System
2012 Consequence
2012 Die Lage
2014 Städtebewohner
2016 Notorious Deeds
2019 Heimat Is a Space in Time
2022 Bushido gegen die Clans - Für die Familie
Sound:
1979 Imbiß
1980 So Why Make a Film About These People?
1984 The House, 1984
1985 The People's Police Force, 1985
1990 Snack Bar Special
1991 Iron Age
1992 Stau – Jetzt geht’s los
1998 Barluschke
2000 Meine Kneipe
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Vaterland
2004 Der Ausländer
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2008 Kinder. Wie die Zeit vergeht.
2009 24 Hours Berlin
2009 Material
2010 20 × Brandenburg
2011 Solar System
2012 Consequence
2012 Die Lage
2014 Städtebewohner
2016 Notorious Deeds
2019 Heimat Is a Space in Time
2022 Bushido gegen die Clans - Für die Familie
Thanks:
1979 Imbiß
1980 So Why Make a Film About These People?
1984 The House, 1984
1985 The People's Police Force, 1985
1990 Snack Bar Special
1991 Iron Age
1992 Stau – Jetzt geht’s los
1998 Barluschke
2000 Meine Kneipe
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Vaterland
2004 Der Ausländer
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2008 Kinder. Wie die Zeit vergeht.
2009 24 Hours Berlin
2009 Material
2010 20 × Brandenburg
2011 Kids
2011 Solar System
2012 Consequence
2012 Detection
2012 Die Lage
2014 Städtebewohner
2016 Notorious Deeds
2019 Heimat Is a Space in Time
2022 Bushido gegen die Clans - Für die Familie
Writer:
1979 Imbiß
1980 So Why Make a Film About These People?
1984 The House, 1984
1985 The People's Police Force, 1985
1990 Snack Bar Special
1991 Iron Age
1992 Stau – Jetzt geht’s los
1998 Barluschke
2000 Meine Kneipe
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Vaterland
2004 Der Ausländer
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2008 Kinder. Wie die Zeit vergeht.
2009 24 Hours Berlin
2009 Material
2010 20 × Brandenburg
2011 Kids
2011 Solar System
2012 Consequence
2012 Detection
2012 Die Lage
2014 Städtebewohner
2016 Notorious Deeds
2019 Heimat Is a Space in Time
2022 Bushido gegen die Clans - Für die Familie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.