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Willis Kent (1878-1966)

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Birthplace:
Michigan, USA

Born:
June 8, 1878

Died:
March 11, 1966

Additional information:

The Search Form


Film Production

Executive Producer:
1933  Her Splendid Folly

Producer:
1931  The Hurricane Horseman
1931  The Primrose Path
1932  A Scarlet Week-End
1932  The Drifter
1932  The Racing Strain
1932  The Wyoming Whirlwind
1933  Her Splendid Folly
1933  Sucker Money
1934  The Murder in the Museum
1934  The Road to Ruin
1934  The Woman Condemned
1935  Gun Smoke
1935  The Pace That Kills
1937  Smashing the Vice Trust
1938  Race Suicide
1938  The Wages of Sin
1945  Gun Smoke
1950  Too Hot to Handle
1952  Lili's Wedding Night
1952  Love Moods
1953  A Bedroom Fantasy

Story:
1928  The Road to Ruin
1931  The Hurricane Horseman
1931  The Primrose Path
1932  A Scarlet Week-End
1932  The Drifter
1932  The Racing Strain
1932  The Wyoming Whirlwind
1933  Her Splendid Folly
1933  Sucker Money
1934  The Murder in the Museum
1934  The Road to Ruin
1934  The Woman Condemned
1935  Gun Smoke
1935  The Pace That Kills
1937  Smashing the Vice Trust
1938  Race Suicide
1938  The Wages of Sin
1945  Gun Smoke
1950  Too Hot to Handle
1952  Lili's Wedding Night
1952  Love Moods
1953  A Bedroom Fantasy

Writer:
1928  The Road to Ruin
1931  The Hurricane Horseman
1931  The Primrose Path
1932  A Scarlet Week-End
1932  The Drifter
1932  The Racing Strain
1932  The Wyoming Whirlwind
1933  Her Splendid Folly
1933  Sucker Money
1934  The Murder in the Museum
1934  The Road to Ruin
1934  The Woman Condemned
1935  Gun Smoke
1935  The Pace That Kills
1937  Smashing the Vice Trust
1938  Race Suicide
1938  The Wages of Sin
1940  Mad Youth
1945  Gun Smoke
1950  Too Hot to Handle
1952  Lili's Wedding Night
1952  Love Moods
1953  A Bedroom Fantasy

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.