A work in constant progress (and occasional regress).
Alias:
Jill Marie Schoelen
Birthplace:
Burbank, California, USA
Born:
March 21, 1963
Jill Marie Schoelen (born March 21, 1963) is an American actress. A more unconventional husky-voiced "scream queen" heroine of the 1980s was Jill Schoelen, daughter of well-known fashion designer Dorothy Schoelen. Born and raised in Burbank, she studied at the Acting for Life Theatre in Burbank and started off on TV as a teen in the Fame-influenced TV pilot called Best of Times (1981) (TV) starring the up-and-coming Nicolas Cage and Crispin Glover. She gained in experience with a number of innocuous films geared mostly toward the young, including D.C. Cab (1983), Thunder Alley (1985) and Hot Moves (1984). The dark-eyed, black-haired pretty with the trademark bangs wouldn't find her horror niche until hooking up with Wes Craven and his TV movie Chiller (1985) (TV). From there she scored big with the cult shocker The Stepfather (1987) wherein she played the resourceful stepdaughter terrorized by the lecherous, meek-appearing Terry O'Quinn as the title monster. The sleeper hit put Jill on the map with a seemingly solid future, continuing on with The Phantom of the Opera (1989), this time keeping company opposite Freddy Krueger inhabiter Robert Englund as her deranged pursuer. But a few bumps in the road with such lowgrade fodder as Curse II: The Bite (1989), Cutting Class (1989) and Popcorn (1991) put a permanent damper on her career, despite coming back with a bit of grit in the thriller TV movie When a Stranger Calls Back (1993) (TV). Her object-of-a-stalker days behind her after filming Not Again! (1996), she settled comfortably back and raised two children with husband/musician/composer Anthony Marinelli.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.