A work in constant progress (and occasional regress).
Alias:
Mani Haghighi
Mani Haqiqi
Many Haghighi
مانی حقیقی
Birthplace:
Tehran, Iran
Born:
July 16, 1969
Mani Haghighi (b.1969, Tehran) studied philosophy at McGill University, Montreal before returning to Iran to make films. His first feature, Abadan (2003) premiered at the Tribeca Film Festival. His screenplay for Asghar Farhadi’s Fireworks Wednesday (2006, co-written with the director) won the Special Jury Prize at the Three Continents Festival, Nantes. His second feature film, Men at Work (Berlinale, Forum 2006) won the Best Screenplay Prize at the 2007 Asian Film Awards (Hong Kong) and the Best Screenplay Prize in the international section of the Fajr Film Festival (Tehran). Canaan (2008), based on a short story by Alice Munro, was followed by two documentary films on the works of the acclaimed Iranian director, Dariush Mehrjui: Hamoon’s Fans (2007), about the curious lives of six Iranians who are devoted fans of Mehrjui’s 1989 film, “Hamoon”, and Dariush Mehrjui: The Forty Year Report (2012), a feature length documentary about Mehrjui’s life and works. His fourth feature film, Modest Reception (Berlinale, Forum 2012), received the NETPAC Award at the Berlin Film Festival, the Free Spirit Award at the Warsaw Film Festival, the Best Actor and Best Actress prizes at the OSIAN’s Cinefan Festival in New Delhi as well as a few other international prizes. Haghighi has also acted in several films, including Asghar Farhadi’s About Elly (Berlinale, competition 2009) and Nima Javidi’s Melbourne (2014), as well as his own film, Modest Reception.
Cinematography:
2016 Mehrjui: The Forty-Year Report
Director:
2004 Abadan
2006 Men at Work
2008 Canaan
2013 Modest Reception
2016 50 Kilos of Sour Cherry
2016 A Dragon Arrives!
2016 Mehrjui: The Forty-Year Report
2018 Pig
2022 A Conversation on The Report
2022 Subtraction
???? Hamoon Bazha
Editor:
2004 Abadan
2006 Men at Work
2008 Canaan
2013 Modest Reception
2016 50 Kilos of Sour Cherry
2016 A Dragon Arrives!
2016 Mehrjui: The Forty-Year Report
2018 Pig
2022 A Conversation on The Report
2022 Subtraction
???? Hamoon Bazha
Producer:
2004 Abadan
2006 Men at Work
2008 Canaan
2013 Modest Reception
2016 50 Kilos of Sour Cherry
2016 A Dragon Arrives!
2016 Mehrjui: The Forty-Year Report
2018 Pig
2022 A Conversation on The Report
2022 Subtraction
???? Hamoon Bazha
Screenplay:
2004 Abadan
2006 Men at Work
2008 Canaan
2013 Modest Reception
2016 50 Kilos of Sour Cherry
2016 A Dragon Arrives!
2016 Mehrjui: The Forty-Year Report
2018 Pig
2022 A Conversation on The Report
2022 Subtraction
???? Hamoon Bazha
Writer:
2004 Abadan
2006 Fireworks Wednesday
2006 Men at Work
2008 Canaan
2013 Modest Reception
2016 50 Kilos of Sour Cherry
2016 A Dragon Arrives!
2016 Mehrjui: The Forty-Year Report
2018 Pig
2022 A Conversation on The Report
2022 Subtraction
???? Hamoon Bazha
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.