A work in constant progress (and occasional regress).
Alias:
William Finlay Currie
Birthplace:
Edinburgh, Scotland, UK
Born:
January 19, 1878
Died:
May 9, 1968
Finlay Jefferson Currie (20 January 1878 – 9 May 1968) was a Scottish actor of stage, screen and television. Born in Edinburgh, Scotland, Currie's acting career began on the stage. He and his wife Maude Courtney (1884–1959) did a song and dance act in the US in the 1890s. He made his first film (The Old Man) in 1931. He appeared as a priest in the 1943 Ealing World War II movie Undercover. His most famous film role was as the convict Abel Magwitch in David Lean's Great Expectations (1946), based on the novel, 'Great Expectations' by Charles Dickens. He later began to appear in Hollywood film epics, including the 1951 Quo Vadis (as Saint Peter), the multi-Oscar winning 1959 Ben-Hur, as Balthazar, one of the Three Wise Men, and The Fall of the Roman Empire (1964) as an aged, wise senator; He appeared in People Will Talk with Cary Grant; and he also portrayed Robert Taylor's embittered father in MGM's Technicolor 1952 version of Ivanhoe. In 1962, he starred in an episode of The DuPont Show of the Week (NBC) entitled The Ordeal of Dr. Shannon, an adaptation of A. J. Cronin's novel, Shannon's Way. Currie's last role was as Mr. Lundie, the minister, in the 1966 television adaptation of the musical Brigadoon. In one of his very last performances, Currie plays a dying mafioso boss in the two part "Vendetta For The Saint" (1968) starring Roger Moore. Later in life he became a much respected antiques dealer, specialising in coins and precious metals. He had been a long time collector of the works of Robert Burns. Description above from the Wikipedia article Finlay Currie, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.