Dudley Digges (1879-1947)

Alias:
Dudley Diggs
John Dudley Digges

Birthplace:
Dublin, Ireland, UK [now Republic of Ireland]

Born:
June 8, 1879

Died:
October 24, 1947

​From Wikipedia, the free encyclopedia  Dudley Digges (June 9, 1879 – October 24, 1947) was an Irish character actor on stage and in motion pictures.  He was born in Dublin. He went to America with a group of Irish players in 1904 and became successful both as an actor and producer. For a time he was stage manager to Charles Frohman and George Arliss. He went to Hollywood in 1930.  On stage, one of his famous roles was as Ficsur in the original 1921 Broadway production of Ferenc Molnár's Liliom, the play that Rodgers and Hammerstein later musicalized as Carousel. Ficsur was the criminal who talks Liliom into helping him commit a robbery; in Carousel, his name was changed to Jigger Craigin, but the character otherwise remained almost the same. He played the role of the Heavenly Examiner in both the original Broadway and the 1930 screen versions of Sutton Vane's hit play Outward Bound.  Digges appeared in forty films between 1929 and 1946, including the original, nearly forgotten 1931 version of The Maltese Falcon, as Caspar Gutman, the character later made famous by Sydney Greenstreet in the 1941 Humphrey Bogart film version of the story. He also worked as a director on Broadway.  In 1924, Digges founded the Maverick Theater, in Woodstock, New York, with the assistance of Hervey White, the founder of the Maverick Arts Colony. Digges was artistic director of a company that included Helen Hayes and Edward G. Robinson.  Description above from the Wikipedia article Dudley Digges (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.